An ‘eco-fiction’ writer and a musician-poet who plans to explore the current te reo Māori renaissance will bring their
creativity to the University of Canterbury this year.
Ariana Tikao has been appointed an Ursula Bethell Writer in Residence at the University of Canterbury this year. Photo
credit: Ebony Lamb
Dr Octavia Cade and Ariana Tikao have been chosen as the University’s Ursula Bethell Writers in Residence for 2023. Dr
Cade will be at the University for the first semester and Tikao for semester two.
Dr Cade is a New Zealand speculative fiction writer who has published short stories, a novel, several novellas, poetry
and a non-fiction essay collection. She has won five Sir Julius Vogel awards and been longlisted for the Ngaio Marsh
award.
With a Master’s in Biology from Waikato University and a PhD in Science Communication from Otago University, her focus
is on writing stories about science and ecology.
“A large part of my training in science communication has been on the power of story, and how storytelling can be used
in different ways to engage readers with the natural and physical world—particularly the ways in which humans interact
with that world,” Dr Cade says. “As a fiction writer, my interest has tended towards eco-fiction.”
One example of this is her recent novella The Impossible Resurrection of Grief which explores the human response to a world where biodiversity loss and environmental collapse in the wake of climate
change is an increasing phenomenon.
Dr Cade’s award-winning 2020 novel The Stone Wētā (Paper Road Press) looks at how scientists adapt to censorship of climate data, and the effects this has on how they
work.
She plans to use her residency to work on Milk Teeth, a collection of creative non-fiction essays which look at how landscape and ecology in this country can be interpreted
through a speculative lens. She hopes to create “imaginative and accessible nonfiction about natural history in New
Zealand”.
Tikao is a songwriter, composer and taonga pūoro specialist who was named Arts Laureate by the New Zealand Arts
Foundation in 2020. She has recently shifted back towards creative non-fiction and poetry.
Much of her work is inspired by tīpuna (ancestor) stories and her identity as a Kāi Tahu wahine. She has recently
published a new book Mokorua: Ngā kōrero mō tōku moko kauae: My story of moko kauae (published by Auckland University Press) with photography by Matt Calman and a te reo Māori translation by her husband
Ross Calman.
Her recently completed International Institute of Modern Letters Masters Project was a hybrid of creative non-fiction
and poetry, entitled Ancestor in my throat.
During her residency she will work on a bilingual poetry collection inspired by the kaupapa of te reo Māori, which she
says she has a complicated relationship with, as a second language learner of her ancestral tongue.
“Aspects I would like to explore include the beauty and complexity of its vocabulary and grammar, and stories behind
local Māori place names from the Canterbury area. I am also interested in reflecting on the fervour for te reo Māori
currently being displayed by so many New Zealanders.”
The Ursula Bethell Residency in Creative Writing, jointly funded by the University of Canterbury Faculty of Arts and
Creative New Zealand, was established by the University of Canterbury in 1979 to provide support for New Zealand writers
and foster their work.