Upcoming symposium highlights creative potentials of dance
Upcoming symposium highlights the creative potentials of dance and performance in the 21st Century
Dance Studies at the University of Auckland is hosting the Undisciplining Dance Symposium at the Kenneth Myers Centre from 30th June – 2nd July 2016.
What can art do for us? Can the arts enable new value systems? How do the arts provoke and undiscipline us, creating space for us to come together differently in uncertain times?
The Undisciplining Dance Symposium brings artists and researchers in the fields of dance, choreography, performance, visual arts, spatial design and architecture together to imagine divergent futures and ways of effecting change and movement.
This unprecedented gathering of international artists in the field of dance, performance and creative arts research rethinks disciplinarity, and the role of the body and live art in todays diverse cultural and political climate.
The Symposium will mobilise inspired, fluid, surprising and inclusive approaches to arts research through presentations, performances, workshops and performative lectures by leading international artists and scholars.
International keynote presenters offer diverse perspectives from Europe, the Americas and the Pacific.
• Artist and Māori scholar, Dr Moana Nepia from the University of Hawaii will open the symposium with a special performative event at Waipapa Marae.
• Globally renowned in the critique of performance studies and choreography Professor André Lepecki from New York University launches his new book ‘Singularities’ and speaks to the significant political movements of experimental performance.
• Swedish artist Efva Lilja will perform her solo, There once was: A House, A Cow, A Woman and present a lecture about the role of art and research in politically complex and troubled times.
Efva Lilja will also be presenting a professional development workshop for contemporary dance artists and performers at Wellesley Street Studios during her stay with the support of Creative New Zealand.
About Efva
Lilja:
Efva Lilja has a unique position in the
Nordic region as a creative artist, researcher, writer, arts
advisor, director, Professor and formerly a vice-chancellor.
Through her work and practice within cultural, governmental
and educational institutions she has demonstrated a
commitment to creating understanding of the potential of the
arts and artistic research to release and realise new ways
of participating in contemporary times and living better
within today's multicultural and diverse societies.
Currently Lilja is the director of Danshallerne in
Copenhagen, Denmark’s national centre for dance as an art
form. In 2012 she was part of a cultural task force for the
European Commission exploring how the innovative power of
art and culture can stimulate new ideas and opportunities
for development in times of crisis. Since 2014 she has been
an expert adviser on Artistic Research to the Ministry of
Education and Research in Sweden. Lilja has been an active
force nationally and internationally, working to improve
conditions for artists to undertake research in their
artistic practices and develop understanding about the
benefits of this research. www.efvalilja.se
About André
Lepecki:
André Lepecki is the author of
Exhausting Dance: performance and politics of movement
(Routledge 2006) which has been translated into ten
languages, and editor of several anthologies including
Dance (Whitechapel 2012). Lepecki is Associate
Professor at the Department of Performance Studies, New York
University. He works and researches at the intersection of
critical dance studies, curatorial practice, performance
theory, contemporary dance and visual arts performance. He
has curated projects for Haus der Kulturen der Welt, Berlin;
Museum of Modern Art, Warsaw; Hayward Gallery, London; Haus
der Kunst, Münich; the 20th Biennale of Sydney, among other
venues in Europe, the USA and Brazil. Lepecki has lectured
extensively in venues such as Museo Nacional Centro de Arte
Reina Sofía, Madrid; MoMA-Warsaw; Tate Modern, London; HKW,
Berlin; Princeton University, Brown University, Écoles des
Hautes Études in Science Sociales (EHESS), Paris, Federal
University of Rio de Janeiro, amongst others. He was the
recipient of the AICA Award for Best Performance in 2008 for
his authorised re-doing of Allan Kaprow’s 18 Happenings
in 6 Parts (commissioned by Haus der Kunst, Munich 2006;
presented at Performa 07). His book Singularities: dance
in the age of performance is forthcoming through
Routledge and will be launched during the Undiscipining
Dance Symposium.
https://tisch.nyu.edu/about/directory/performance-studies/93142600
About Moana Nepia:
Moana Nepia is a
Māori visual and performing artist, choreographer, curator,
video artist, painter, and poet. He has choreographed for
Atamira Dance Company, Footnote Dance Company, Taiao, the
Royal New Zealand Ballet; he has presented work in festivals
throughout the United Kingdom, in Spain, and at the Lilian
Baylis Theater and The Place in London. He has devised
choreographic projects for education departments of the
Royal Ballet, Birmingham Royal Ballet, London City Ballet,
and Dance Advance in the United Kingdom and taught at Elam
School of Fine Arts, University of Auckland, Unitec, and AUT
in dance, visual arts, and digital and spatial design. His
PhD thesis, awarded in 2013 from AUT titled Te Kore:
Exploring the Māori Concept of Void, was the first
practice-led PhD thesis in visual and performing arts rooted
in Māori epistemologies. At the Center for Pacific Islands
Studies, he is developing new courses with a focus on arts
and performance in the Pacific. His interdisciplinary
research interests include visual arts, dance and
performance studies in the Pacific, Indigenous
epistemologies, and research through creative
practice.
http://www.hawaii.edu/cpis/people_13.html
UNDISCIPLINING DANCE SYMPOSIUM
30th
June – 2nd July 2016
Dance Studies
Programme,
Creative Arts and Industries Programme,
the
University of Auckland.
To find out more and to
register visit
http://undiscipliningdance.co.nz
ENDS