The World Will Soon Be Seeing More Of New Zealand On Screen
Nine projects
selected in Final Production Funding Round of Te Puna
Kairangi. A total of nine film and television projects
have been offered funding in the final round of Te Puna
Kairangi – Premium Productions for International Audiences
Fund, which is administered by Te Tumu Whakaata Taonga| The
New Zealand Film Commission. Among the diverse
projects is a family fantasy feature film written and
directed by the highly successful New Zealand filmmaker
Andrew Niccol (Gattaca, The Truman Show), a thriller
television drama series based in Christchurch, a feature
film with strong te reo Māori content and a children’s
animation series. The $25 million investment is the
final instalment from the $50m Fund, set up to support the
Aotearoa New Zealand production sector’s recovery from
COVID-19. Irirangi Te Motu | NZ On Air will contribute
a further $4.8 million towards six of the projects which
meet their funding requirements, explains NZ On Air Chief
Executive Cameron Harland. “These high-quality productions
represent how culturally unique Aotearoa is and have the
potential for strong international reach. Given the calibre
of the projects on the table, NZ On Air has allocated
additional funds from its NZ Media Fund to ensure we get as
many premium series funded as possible. Te Puna Kairangi has
been a brilliant, cross-agency initiative." Te Māngai
Pāho CEO, Larry Parr agrees the collaboration between three
funding agencies has been highly successful and provides
clear evidence that it is a model which should be continued.
“Ko ngā hua e puta nei i roto i te mahi ngātahitangi o
Te Puna Kairangi te taunaki kia haere tonu ai tēnei
whakaritenga mō nga rā e haere ake nei. This kaupapa is
symbolic of the well-known whakataukī, ‘Ehara taku toa i
te toa takitahi, engari he toa takitini’- success comes
from the work of many not an individual.” This final
production funding round received 20 eligible applications
seeking a total of nearly $64 million. Applications were
assessed against the five key objectives of the fund which
are: to boost economic growth, increase employment, create
cultural benefit, respond to COVID-19 with speed to market
and develop skills and capability. Funding decisions
were made by a panel which has members from Te Tumu Whakaata
Taonga (New Zealand Film Commission), Irirangi Te Motu (NZ
On Air) and Te Māngai Pāho and independent Chair Christina
Milligan. Mladen Ivancic – acting CEO of Te
Tumu Whakaata Taonga | New Zealand Film Commission says
across three production funding rounds Te Puna Kairangi has
supported a total of 16 productions. “These projects
represent an anticipated collective spend of over $154
million in a range of locations around the country, with an
estimated spend on local jobs of over $90 million.
International investment in these projects is over $51
million.” The final instalment of investment funding
includes funds returned from the first funding
round. $2 million was also invested in the development
of 26 diverse screen projects which will provide further
production opportunities in the years to come. In this
final production funding round of Te Puna Kairangi,
conditional offers have been made to nine projects: 1.
After the Party (Drama Series 6 x 43min) * 2. Babylon (Feature Film) 3.
Badjelly (Animation series 13 x 22 min) * 4. Creamerie (season 2) (Drama Series 6 x
22min) * 5. Dark City – The Cleaner (Drama
Series 6 x 50 min) * 6. Escaping Utopia (Documentary Series 3 x 45
min) 7. I,Object (Feature
film) 8. Madame Mom (Drama Series 10 x half hour)
* 9. The Panthers
(season 2) (Drama Series 6 x 44 min) * * Each of these projects qualified for the
additional funding of $800,00 from NZ On
Air. For
further information: Suzanne De
Spong Mobile: (021) 225 3554
“We are delighted with the projects we have
been able to fund,” says Ms Milligan. “There were many
other impressive applications that we were unfortunately
unable to support with the finite funding available. Te Puna
Kairangi has demonstrated the depth of talent and ambition
in New Zealand’s screen sector, and it would be great to
create further opportunities to support more projects of
this nature.”
Penny’s
world implodes when she accuses her husband of a sex crime,
and nobody believes her. Five years later, she must decide
what’s more important – the truth, or rebuilding her
relationship with her daughter.
Production Co: Luminous
Beast & Lingo Pictures
Producers: Helen Bowden, Peter
Salmon
Writer: Dianne Taylor
Director: Peter
Salmon
A Māori warrior
priest comes to the lawless whaling settlement of Babylon to
recover his father’s stolen head. A son’s love soon
becomes a threat to the town’s villainous
mayoress.
Production Co: Vendetta
Productions
Producers: Jill Macnab, James Brown, Tainui
Stephens
Writer/Director: Glenn Standring
When siblings
Tim and Rose enter the nearby woods in search of their
beloved cow Lucy, they must team up with the weird and
wonderful forest-folk to confront a malevolent force
terrorising the valley, known as Badjelly.
Production Co:
Mukpuddy Ltd
Producers: Simon Ward, Roger Shakes, Carthew
Neal
Writer/Directors: Ryan Cooper, Alex Leighton &
Tim Evans
Team Creamerie flees Hiro Valley and sets off on
an epic road trip to save male survivors, bring Lane to
justice and uncover the truth about the pandemic. But to
save mankind, they’ve first got to save their
friendship.
Production Co: Creamerie Ltd (Kevin and Co
& Flat3), Tony Ayres Productions
Producers:
Bronwynn Bakker, Roseanne Liang, JJ Fong, Ally Xue, Perlina
Lau
Director: Roseanne Liang
Writers: Roseanne Liang,
Dan Musgrove
Joe Middleton is the cleaner at
Christchurch’s Central Police Station. Everyone thinks Joe
is not very smart. The Police are looking for a serial
killer who has seven victims. Joe knows he has killed six.
He is going to find out who did the seventh and frame them
for all the murders.
Production Co: Endeavour Ventures
Ltd
Producers: John Barnett, Chloe Smith
Writers: Paul
Cleave, Rachel Lang, Simone NathanDirector: Rick
Jacobson
What if your entire life was based on
lies?
Production Co: Warner Bros. International
Television Production NZ
Producers: Natalie Malcon,
Philippa Rennie
Directors: Justin Pemberton, Natalie
Malcon, Michelle Savill
I,Object follows Tom, a grief-stricken 10-year-old
boy who has drifted into a world of imagination after the
death of his father. Misunderstood by everyone, Tom starts
forming unusual friendships with the faces he sees in
everyday objects. Soon everything from his alarm clock, pop
cans, and even the kitchen sink begin helping him accept his
loss and reconnect with the humans around him.
Production
Co: Southern Light Films & Good Question
Media
Producers: Timothy White, Daniel Bekerman, Chris
Yurkovich, Alex Ordanis
Writer/Director: Andrew
Niccol
An all-American Mom finds herself divorced, unemployed
and pregnant in small-town New Zealand and starts an ethical
brothel to survive.
Production Co: Tavake Ltd
Writers:
Shoshana McCallum, Harry McNaughton
Producers: Tom Hern,
Halaifonua Finau, Crystal Vaega
The
Polynesian Panthers are in a new chapter of their lives; now
juggling young families and jobs in the capitalist world,
working for ‘The Man’. But the revolution waits for no
one. This season our young radicals are called to stand up
and support their Māori brothers and sisters, as they quest
to reclaim their language, culture and the land that was
taken from beneath them.
Production Co: Tavake
Ltd
Producers: Nicole Horan, Crystal
Vaega
Writers: Halaifonua Finau, Tom Hern, Becs
Arahanga
Executive Producers: Tom Hern, Halaifonua
Finau
ENDS
Email: suzanne@nzonair.govt.nz