A new exhibition – Mosque: Faith, Culture, Community – which aims to demystify Islam for non-Muslim New Zealanders opened at the weekend at Canterbury Museum.
Mosque: Faith, Culture, Community highlights the mosque as the heart of Muslim communities, and the diversity of Islamic culture showcased through art and
objects. The exhibition has been developed by the Museum in partnership with Christchurch Muslims who are keen to share
with the wider community, knowledge and understanding of Islam, and the diversity of those who follow the faith.
Museum Director, Anthony Wright says the exhibition has a very positive focus. “Our hope is that in working with local
Muslims we have created uplifting experience for our visitors, one that highlights the diversity of Islamic art,
architecture and culture.
“It is important that we share stories from all parts of the Canterbury community and that we work with those
communities in presenting them. We hope that the exhibition will dispel some of the misconceptions about Islam and that
visitors will come away with a greater understanding of their Muslim neighbours.”
The first Muslims to arrive in New Zealand, Mahomet and Mindia Wuzerah, and their sons Pero and Mero, came to
Christchurch in 1854 from India, working in the household of John Cracroft Wilson in Cashmere. Other Muslims, mostly
from China and India, arrived in Otago and on the West Coast during the nineteenth century gold rushes.
New Zealand’s first mosque opened in Auckland in 1979 and Christchurch’s first Islamic Centre a year later in a small
house in Phillipstown.
The exhibition highlights the role of the mosque as the centre of Islamic religious life and the place where people
meet, exchange news, learn and celebrate. In a video made for the exhibition, Muslims who worship at Christchurch’s
mosques – Al-Noor, the Linwood Islamic Centre and the Rasul-O-Allah Centre, Bishopdale – talk about what their mosque
means to them. Objects on display from the Museum collection and the community illustrate the influence of differing
cultures on expressions of the Muslim faith.
Anthony Wright adds that the exhibition has been an opportunity to put on display rarely seen Islamic objects from the
Museum’s collection including a beautifully decorated Qur’an produced in Kashmir, India/Pakistan dating back to 1700.
The tragic events of 15 March 2019 are marked by a small display of the tributes left outside the Linwood and Al-Noor
Mosques and the Botanic Gardens in an outpouring of love, support and solidarity for the victims. The headscarf worn by
the Prime Minister, the Rt Hon Jacinda Ardern, during public events at the time is also displayed. She donated it to the
Museum in late 2019.
Community representatives selected the tributes for display from the collection held at the Museum. About 100 tributes,
a representative sample of the thousands left in the outpouring of aroha (love) and support for the victims of the
Christchurch mosques attacks, are cared for by the Museum. Staff worked with the Muslim community representatives last
year to select the tributes from the thousands laid at sites across the city and wider region in the wake of the
Mosque: Faith, Culture, Community also features 33 drawings of mosques drawn on location by internationally acclaimed Syrian-America artist and architect
Whabi Al-Hariri Rifai (1914–1994) in the last years of his life. Al-Hariri travelled to 16 countries, from Spain to
China, to document the most significant historic mosques of the world. The collection of large graphite drawings,
entitled Spiritual Edifices of Islam, depicts the rich diversity of Islamic architecture. They were first exhibited at the Smithsonian Institute, Washington
DC, United States of America in 1999 and have been shown at major museums and venues around the world.
The display of Spiritual Edifices of Islam is supported by the Georgetown Design Group, Washington DC.