Screenrights Announces $295k Funding For Seven Projects
Screenrights has announced a record seven projects,
including two New Zealand initiatives, will be supported by
its 2020 Cultural Fund. The total funding amount increased
from $250K to $295K for this year’s initiatives, submitted
around the focus of ‘New Voices’.
The Screenrights Cultural Fund was established in 2018 to support innovative projects that foster the creation and appreciation of screen content in Australia and New Zealand. With support usually available up to $250K total, in its third year Screenrights has been able to offer additional funding from the balance of previous funding rounds.
Among the five recipients that
will each receive $45,000 are two New Zealand projects:
• Script to Screen | Te Tari Tuhi Kupu A
Whakaahua, who will run a three-stage Paerangi
program that finds new voices in remote regions of New
Zealand, and gives isolated and inexperienced aspiring
filmmakers the tools to develop a captivating story for
screen;
• Bay of Islands-based Tai Huri
Films, for a training and skill development
workshop for rangatahi Māori aged 15-25 to explore cultural
narratives using the art of cinematic storytelling.
The
other recipients of a $45,000 grant include: Bus
Stop Films, to support the expansion of their
award-winning Accessible Film Studies Program to Queensland,
Victoria and South Australia; Northern Rivers
Screenworks, who will partner with Princess
Pictures and Hoodlum Entertainment to run a program to train
undiscovered, diverse and talented screenwriters living in
regional Australia with specific skills to meet industry
requirements; Southland Creative Inc, for
My Home My Culture – a short film program that will
mentor 10 aspiring 16-24 year-old regional South Coast NSW
filmmakers to share their stories with audiences and
communities. Juluwarlu Group Aboriginal Corporation
will receive $38,720 for Our Ganalili
Heroes, a youth digital media project that will give 12
young people in the Pilbara region the digital media skills
to contribute their voices to the deep cultural and
community-held knowledge of the Yindjibarndi people; and
Cinespace will receive $31,280 to roll out an online
educational program that gives culturally diverse creatives
the tools to be able to access industry, building capacity
towards greater representation on Australian
screens.
“The third year of the Screenrights Cultural
Fund has seen our strongest field of applicants yet, and we
are delighted to be able to support so many initiatives,
especially in such a challenging year for the screen
industry,” said Screenrights Board Director and Cultural
Fund Working Group Chair Geoffrey Atherden. “These
projects engage meaningfully with our New Voices focus,
intended to advance those who, for whatever reason, have
found doors not readily open to them. We look forward to
seeing the positive impact of these initiatives across the
Australian and New Zealand screen landscape well into the
future.”
Applications were assessed by a panel of
professionals with both local and international expertise in
screen, media and education.
Photo
caption (L-R, Top to Bottom): Jonnie Leahy from
Southland Creative Inc.; Daniel Schultheis from Cinespace
Inc; Eloise Veber from Script to Screen; James Dickinson
from Screenrights; Jason Taylor from Tai Huri Films Limited;
John Kassab from Cinespace Inc; Jonnie Leahy from Southland
Creative Inc.; Lisa O'Meara from Northern Rivers Screenworks
Inc; Maha Ismail from Screenrights; Ryan Drechsler and Eagle
Felix from Juluwarlu Group Aboriginal Corporation; Tracey
Corbin-Matchett from Bus Stop Films; Wimiya Woodley from
Juluwarlu Group Aboriginal Corporation.
ABOUT THE SUCCESSFUL PROJECTS
Script to
Screen | Te Tari Tuhi Kupu A Whakaahua
Activity:
Paerangi is a 3-stage programme that finds new voices in
remote regions and isolated situations to give inexperienced
aspiring filmmakers the tools to develop a captivating story
for screen. The most distinctive projects progress to the
next stage: Stage 1 is a series of online learning for
self-directed completion, teaching how to find and structure
an engaging story for short film and web series formats;
Stage 2 provides a mentor to hone their vision and refine
project documents; Stage 3 is a 3-day intensive residential
lab to develop the project further. Teams leave Stage 3 with
a short film or web series project ready for funding and
production, and new connections.
Location: NZ
(Auckland)
Amount funded: $45,000
Tai
Huri Films Limited
Activity: A training and
skill development workshop for rangatahi Māori aged 15-25
to explore cultural narratives using the art of cinematic
storytelling. Participants will establish, maintain and
strengthen their sense of belonging through cultural
identity, intergenerational reconnection within whānau
(family), hapū (sub-tribe) and iwi (tribe) using the
stories of their past. Workshops are marae-based and led by
a group of screen industry professionals. Participants will
craft their own narratives, reimagining local stories in
documentary or narrative format. Upon completion of the
workshop, they will pitch their refined ideas to the panel.
Successful pitches will have their films
produced.
Location: Northland (NZ)
Amount funded:
$45,000
Bus Stop Films
Activity:
The expansion of Bus Stop Films’ (BSF) award-winning
Accessible Film Studies Program to Queensland, Victoria and
South Australia. It will see access to film school
education, filmmaking opportunities and screen industry
employment pathways open for up to 45 young adults living
with disabilities in Brisbane, Melbourne and Adelaide.
Additionally, the delivery of the Program will see creation
of at least nine new jobs by employing emerging filmmakers
from diverse backgrounds to deliver the Program, and
who’ll also gain above the line credits in BSF’s
productions, furthering the Organisation's contribution to
diversity in the screen industry ecosystem.
Location:
QLD, VIC, SA
Amount funded: $45,000
Juluwarlu Group Aboriginal
Corporation
Activity: Our Ganalili Heroes is a
youth digital media project that will give 12 young people
digital media skills and the confidence and courage that
comes from recognising their commitment to contribute their
voices to sustaining the deep cultural and community-held
knowledge of Yindjibarndi – and opportunities to reflect,
imagine and make and share their own creatively expressive
important stories and meanings with wider Australian
audiences. This is an important chance to step-up young
people to grab hold of their own futures.
Location:
WA
Amount funded: $38,720
Cinespace
Inc
Activity: An online educational program that
gives culturally diverse creatives the tools to be able to
access industry, developing knowledge and skills in a phase
of production known as 'packaging', and a greater
understanding of how our industry needs to view projects.
The capacity and skills building program will build diverse
creatives' capacity and lead to greater representation on
Australian screens.
Location: Online
(VIC-based)
Amount funded: $31,280
Northern Rivers Screenworks
Inc
Activity: A program to train undiscovered,
diverse and talented screenwriters living in regional
Australia with specific skills that meet industry
requirements. Screenworks will collaborate with Hoodlum
Entertainment and Princess Pictures to identify the genres
and formats that they need writers for. Screenworks will put
a call out to discover new, diverse and talented
screenwriters from regional Australia and will implement a
unique training program to upskill 50 new regional writers
in order to write to a production company's brief. The
participants' work will be assessed by the production
companies who will select previously undiscovered regional
writers to join them as writing interns.
Location: NSW
(Northern Rivers)
Amount funded: $45,000
Southland Creative Inc
Activity: My
Home My Culture - South Coast NSW Short Film Project is a
short filmmaking mentorship program that will see ten
aspiring young local filmmakers aged 16-24 years complete a
program designed specifically to allow them to share their
own cultural short film that shares insights and gives them
a voice to share their story with audiences and communities
following the recent droughts, devastating bushfires, floods
and now coronavirus pandemic. The program is designed
specifically for these regional young aspiring filmmakers
who are feeling isolated and unable to access the same
storytelling opportunities as those in big
cities.
Location: NSW (South Coast)
Amount funded:
$45,000
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ABOUT
SCREENRIGHTS
Screenrights is a non-profit member
organisation that provides rights and royalty management
services to the screen industry. Screenrights facilitates
access to screen content through simple licensing solutions
for teachers in education, administrators in government, and
home viewers with subscription TV – and provides royalty
payments to rightsholders for the programs audiences love.
Screenrights is a leader in the audiovisual industries,
forging dynamic connections between screen industry and
screen audiences.
https://www.screenrights.org/about-us/media-information/