The 2019 New Zealand Fringe Arts Festival has wrapped up another remarkable year. On Sunday evening the Fringe team and
artists gathered together at our good friend’s Te Whaea Theatre in Newtown, to reflect on the power art has to transcend
diversity, to give voice to all aspects of humanity, to bring people together, and to celebrate those that make it.
This year’s awards applauded outstanding work in production, design, and performance, all of which surprised and
delighted us in 2019 Fringe Season. Never an easy task for the judges, this year was of course no different with an
abundance of incredible new works to experience.
With a more than 30% increase in ticket sales across the festival featuring everything from minute nuanced finger
puppetry to Russian feminist punks, the 2019 Fringe has been a success and the team thanked everyone involved in making
it happen.
AWARD WINNERS
Best in Fringe
Supported by His Worship the Mayor Justin Lester
Nominees: That’s What Friends Are For, (I)sland T(rap): The Epic Remixology of the Odyssey, Fringe Wives Club: Glittery
Clittery
Winner: Only Bones 1.0
Most Innovative Work
Supported by Wellington International Airport
Nominees: Watching Paint Dry, Coffee Bean-Queen Machine, Slow AntiHeroes
Winner: The Marvelous Musical Maiden
The Grand Design Award
Supported by Inject Design
Nominees: System, Nobody Hears the Axe Fall, The Universe is Pretty Big and I’m Afraid of Sex, Full Scale
Winner: Tell Me What Your Name Is
Outstanding Performer
Supported by Te Auaha
Nominees: Ella Gilbert (Soft Tissue/Cartoonaroony), Beth Kayes (Once There Was a Woman), Thom Monckton (Only Bones 1.0)
Winner: Austin Dean Ashford (I)sland T(rap): a Remixology of the Odyssey
Outstanding Ensemble
Supported by Gibson Sheat
Nominees: Missing Lids, That’s What Friends Are For, The Doubtful Sounds Go Underground
Winner: Au Ko Tuvalu
Most Promising Emerging Company
Supported by BATS Theatre
Nominees: Tangata Circus Company (REAL[ISE]), Ephemeral Theatre (period.), Soy People Productions (Some Sort of Boy),
Well Fare State (Flying Down Sand Dunes)
Winner: Discotheque (Missing Lids)
Most Promising Emerging Artist
Supported by EAT
Nominees: Ella Gilbert (Soft Tissue/Cartoonaroony), Josh Davies (Josh Davies: Look! I’m Blind!) Maddy Warren (Dancing On
My Own Because I Didn’t Invite Anyone Else), Jadwiga Green (Summer Camps)
Winner: Tavita Nielsen-Mamea (Au Ko Tuvalu)
Best Marketing
Supported by Phantom Billstickers
Nominees: Fringe Wives Club: Glittery Clittery, Slow Antiheroes, Waste Not Want Not Bethany’s Guide to the Thrift Life
Winner: Uther Dean Reads 300 Haiku
Spectacular Organised Chaos
Supported by Friends of the Fringe
Nominees: Bear North, “There are other worlds they have not told you of…”, Stack That Bass, Sweaty Pits - Pity Party!,
Squirt
Winner: Auspicious Happening
Spirit of the Fringe
Presented by Creative Capital Arts Trust
Winners: Sameena Zehra, and Sophie Simons
The Parkin Development Award
Supported by Chris & Kathy Parkin
Winner: Flying Down Sand Dunes
Reciprocal touring awards:
Fringe in the ‘Stings
Winner: Squirt
Melbourne Fringe Festival
Winner: Say Something Nice
Sydney Fringe Festival
Winner: Say Something Nice
Adelaide Fringe Festival
Winner: HarleQueen
San Diego International Fringe Festival
Winner: REAL[ISE]
This year the Fringe started a new initiative, The Green Light List. A short list of works specifically to be celebrated for their mahi.
The 2019 Green Light List is:
Kōtuku and the Moon Child - Family Puppet Theatre
Massive Crushes
Adventures with Depression
HarleQueen
All Australian touring awards supported by the Australian High Commission