Te Waka Toi Awards celebrate and recognise excellence
Te Waka Toi Awards celebrate and recognise excellence and achievement in Maori ārt
Marilynn Webb ONZM, one of this country’s most distinguished and influential artists, tonight received Te Tohu Aroha mō Te Arikinui Dame Te Atairangikaahu, the Supreme Award for excellence and achievement in Ngā Toi Māori (Māori art) at the 2018 Te Waka Toi Awards.
The Dunedin-based print-maker is best known for her distinctive work exploring concepts of land conservation, ecology, Māori, women in art, political issues and post-colonial history.
An artist of international repute, Marilynn Webb’s work has featured in more than two hundred exhibitions and symposiums in New Zealand, the United States, India, Japan, Spain, France, the United Kingdom, Germany and Australia, over several decades.
Suzanne Ellison (Ngāi Tahu, Ngati Mutunga, Te Ati Awa), Chair of the New Zealand Arts Council’s Māori Committee, said Marilynn Webb had made an outstanding contribution.
“I congratulate Marilynn for this award recognising
her outstanding body of work over many years, which is a
significant contribution to Ngā Toi Māori and also to art
in this country.”
In all 13 awards were presented to 12
of New Zealand’s most talented Māori artists, advocates
and community leaders. The awards recognise excellence and
achievement across all artforms including marae arts
(traditional, marae-based artforms such as carving, and
weaving) as well as contemporary artforms such as theatre, literature and visual arts.
Held at Te Papa, the awards were hosted by the Arts Council of New Zealand Toi Aotearoa through Creative New Zealand and were supported by Te Puni Kōkiri, Te Papa, Te Matatini, Te Taura Whiri i te Reo Māori (The Māori Language Commission) and Te Māngai Pāho.
Te Waka Toi Award winners 2018
Te Tohu Aroha mō Te Arikinui Dame Te
Atairangikaahu | Supreme Award
Marilynn
Webb ONZM, Ngāti Kahu, Te
Roroa (based in Dunedin).
Visual Arts
Marilynn Webb ONZM is a Dunedin-based artist of
international repute. Regarded as one of this country’s
most distinguished and influential artists; she is best
known as a print-maker and more recently for her pastels,
which continue to explore the concepts of land conservation,
ecology, Māori, women in art, political issues and
post-colonial history. The natural environment and
landscapes, in particular those of Otago and Southland, have
been a constant theme of her work. She translated the
dominant narrative of 1970s “Think Big” projects into
passionate advocacy for the environment in her most
politically charged work. She has featured in more than two
hundred exhibitions and symposiums in New Zealand, and
overseas.
Te Tohu o Te Papa Tongarewa
Rongomaraeroa | Award recognising excellence and outstanding
contribution to Māori arts
Supported by
Museum of New Zealand Te Papa Tongarewa
Sandy Adsett (MNZM, MMVA)
Pahauwera/Ngāti Kahungunu (based in Hastings).
Visual Arts
Sandy Adsett is a leading figure in
contemporary Māori art who has exhibited internationally.
He is a painter with experience in carving, weaving, costume
and stage design who has been active in marae decoration and
restoration. A true exponent of merging the traditional
with the contemporary, his distinctive style has been
particularly influenced by the design of kowhaiwhai (rafter
patterns) in work easily recognised through intricate
overlays of acrylic on board. Initially an arts specialist
for the Department of Education’s Advisory service, it was
while engaging in the introduction of a new Māori Arts
focus in the 1961 school arts syllabus that Sandy became
influenced to take a Māori focus for his own creative work.
A former winner of the Montana Art Award, he was made a
Member of the New Zealand Order of Merit for his services to
art in 2005.
Ngā Tohu ā
Tā Kingi Ihaka – Sir Kingi Ihaka|Awards recognising
lifetime contribution to strengthening Māori art and
culture
Ranui
Ngarimu, Ngai Tahu, Kati Mamoe, Ngāti Mutunga
(based in Christchurch).
Raranga, Marae Arts
Ranui
is one of New Zealand’s leading weavers and has dedicated
much of her life to her artform. She lives in Ōtautahi
(Christchurch) today but spent many years in Otira, Westland
with her whānau. Ranui has become an expert in the
techniques, natural fibres and materials that her Ngai Tahu
ancestors used to make their protective clothing as they
crossed the South Island’s mountain ranges. Her work has
been exhibited nationally and internationally. She was a
foundation member of the Mātauranga Māori Cultural Club in
Westland and was the tutor and leader of the West Coast
contingent in the powhiri to Queen Elizabeth II and the
athletes at the 1974 Commonwealth Games in Christchurch. She
also co-authored The Art Of Māori Weaving: The Eternal
Thread: Te Aho Mutunga Kore with her sister Mirama
Evans, and continues to pass on her weaving knowledge today
to help preserve the artform.
Gavin Bishop ONZM Ngāti
Pukeko, Ngāti Awa, Ngāti Mahuta, Tainui (based in
Christchurch).
Literature, Illustration, Painting
Gavin Bishop is a prolific children’s writer and illustrator of local and international acclaim. His distinct ink and watercolour illustrations and stories – both original and based on traditional Māori myths and legends – have made him one of this country’s most successful children’s authors. As a picture book author and artist he has published 70 books that have been translated into twelve languages and won numerous awards. He has also written the libretti for two children’s ballets for the Royal New Zealand Ballet. From Ōtautahi (Christchurch), many of his stories are set in or around his home city. These include Mrs McGinty and the Bizarre Plant, Bidibidi, and The Horror of Hickory Bay. Other works, such as Katarina and Hinepau draw on his bi-cultural heritage. Gavin has been shortlisted for New Zealand book awards more times than any other author of any kind.
Tā Tipene O’Regan, Kai Tahu (based in Christchurch).
Archival, History
Tā Tipene O’Regan is best known
for his role as the long-serving Chairman of the Ngāi Tahu
Māori Trust Board, and leading the Ngāi Tahu Waitangi
Tribunal claim to an historic settlement for the Iwi.
A
major architect and negotiator of the Treaty of Waitangi
fisheries settlements of 1989 and 1992, he was the founding
Chairman of the Treaty of Waitangi Fisheries Commission. His
personal scholarly interest is largely in traditional
history and ethnology of Ngāi Tahu and Te Waipounamu. Tā
Tipene has published and lectured extensively over many
years on Ngāi Tahu history, polynesian migration, Treaty
issues and biculturalism in Aotearoa. He was appointed to
the New Zealand Geographic Board in 1985, on which he served
for 28 years and has only just retired from an extended term
as chairman of the board’s Māori Names Committee. He
became a Knight Bachelor in 1994 for services to
Māori.
Mere Walker, Whakatōhea (Based
in Kawerau).
Rāranga, Marae Arts
Described as one of
the best tutors of rāranga (traditional weaving) Mere
Walker is a master weaver whose work has had a local and
global impact. With a deep understanding of her artform, she
has inspired many to take up rāranga, and has become a
highly respected expert in all of its aspects. Using
materials including harakeke, pingao and kiekie, she has
created many outstanding works, including kete, and woven
whāriki (mats) as well as tukuktu panels for mare
restoration projects. A former president of Te Roopu
Waihanga Taonga O Putauaki (Putauaki Creative Arts Group),
and Rautahi Māori committee, her work has been displayed
and exhibited in New Zealand and abroad. Between 1997 and
1999 she led a team of 12 weavers to repair the woven panels
of the Mataatua Wharenui, a famous meeting house that was
originally completed in 1875 and dedicated to Queen
Victoria.
Parekowhai Whaitiri, Ngāti Porou, Te Aitanga a Mahaki, Te Whānau a Apanui (Based in Gisborne).
Piupiu, Tukutuku
Born and raised in Gisborne, Parekowhai Whaitiri has made a significant, life-time contribution to the preservation and maintenance of the art of piupiu. Together with her husband she tutored at Te Roopu Rangatahi o Ritana. She learned the artform of piupiu from a number of different people. These include Nanny Whai Hitchener, Gladys Ruru, Tahu Ruru and Windy (Moetahi) Jones. She is credited with making and supplying piupiu for many kapa haka groups locally in Tūranganui A Kiwa, nationally and internationally, using paru (natural dye) sourced close to her family home at Te Kowhai, Manutuke. She has worked to preserve this traditional artform through teaching and tutoring people in the making of piupiu and also using traditional dyeing methods. She is also well known for her unstinting work on the restoration of tukutuku panels of various marae including those of the oldest meeting house in the country: Te Hau ki Turanga.
Te Tohu aroha mō Ngoi Kumeroa Pewhairangi:
“Whakarongo, Titiro, Kōrero” | Award recognising
leadership and outstanding contribution to the promotion of
Te Reo Rangatira
Te Tohu Whakamānawa o Te Matatini |
Award for outstanding contribution to Kapa
Haka
Kuini Moehau
Reedy MNZM, Ngāti Porou (based in Gisborne).
Te Reo Māori, kapa haka
Kuini Reedy was born in 1941 at Waipiro Bay and raised in Hiruharama, a small village settlement in the foothills of her ancestral maunga, Mt Hikurangi. Her education journey led her to Waikato University to study Te Reo Māori before relocating to Wellington to pursue her tohu in teaching, education and mātauranga Māori at Victoria University. Kuini has taught and lectured at all levels of education from Te Kohanga Reo to Kura Kaupapa Māori, primary, secondary, and tertiary, and also in government departments. She has been described by some as a prolific composer of creative artforms, a writer and performing arts specialist but ultimately a keeper of Māori folklore, who imparts traditional indigenous knowledge through language, culture and performance. A key component of the Te Kohanga Reo Movement since its inception, she continues to move kohanga whānau in te reo Māori and whānau development nationally.
Te Tohu Whakamānawa o Te Matatini | Award for outstanding contribution to Kapa Haka
Pita Sharples KNZM CBE Ngāti Kahungunu (based in Auckland).
Kapa haka
Often described as “kaumatua of the nation” Dr. The Hon. Sir Pita Sharples has played a key role in the Māori renaissance for more than half a century. He trained as a teacher before gaining a Masters and PhD in Anthropology and Linguistics, and going on to become Professor of Education at Auckland University. He created Te Whare Tū Taua o Aotearoa (the National School of Ancient Māori Weaponry) in 1983, and established Te Roopū Manutaki Māori Cultural Group in Auckland. Part of a pan-iwi kapa haka movement that began in the 1960s, Te Roopū Manutaki was an important link through which urbanised Māori could stay connected to tikanga Māori. For 38 years Sir Pita led, performed, choreographed and composed kapa haka for the group. He also established this country’s first intertribal urban marae called Hoani Waititi Marae, and first Māori language immersion primary school in Auckland called Te Kura kaupapa Māori o Hoani Waititi.
Te Tohu
Toi Kē a Te Waka Toi |Award recognising a significant,
positive impact on the development and practice of Māori
arts
Lyonel Grant Ngāti Te
Takinga, Ngāti Pikiao, Ngāti Rangiwewehi, Te
Arawa
Whakairo
A master carver and sculptor, Lyonel
Grant is an innovator whose unique methods have advanced
traditional practice and contributed to Ngā Toi Māori
artform evolution in the 21st Century. Between 1985 and
1987 Lyonel completed his first whare whakairo (carved house/meeting
house) Te Matapihi o te Rangi at Te Papa o te Aroha Marae in
Tokoroa. His second whare whakairo,
Ihenga, was completed at Tangatarua Marae at the Waiariki Institute of Technology in
Rotorua between 1993 and 1996. He used Ihenga as a model to
explore the tensions between customary and contemporary
Māori art practice. Later he co-authored Ihenga: Te
Haerenga Hou, The Evolution of Māori Carving in the 20th
Century in 2007. He has exhibited internationally in
Aotearoa and his work is held in the collections of The
British Museum, The Scottish Museum, Te Papa and in numerous
private collections. In 2004 he was one of the concept
developers behind New Zealand’s gold award winning Chelsea
garden show entry.
Ngā Manu Pīrere | Award
recognising emerging Māori artists
Isaac James Te Reina - Ngāti
Raukawa, Ngati Kapumanawawhiti
Visual Arts, Film
Isaac Te Reina is a 25-year-old filmmaker specialising
in directing, writing and acting. He has a passion for
breathing life into his stories with Māori mātauranga
through honest, bold and dramatic writing. Isaac directed
his first short film at the age of 18. Entropy
featured in the official selection at the Pasadena
International Film Festival in Los Angeles in 2014 after
being included in the Sandfly Film Festival in Australia.
Since then Isaac has written, self-produced and directed a
number of short films, music videos and documentaries. He
has acted in recent Māori TV show Ahikaroa and in
successful plays Vernon God Little, and Te Waka
Huia. He also wrote Allgood, a play posing to
young people a question: ‘Are we really all good?’ His
first play, it was nominated for Playmarket’s b425 award
in 2018. In 2013 Isaac was awarded Best Emerging Director at
the Inaugural Māori Land Film Festival for his educational
short film
Tamanui.
Nerys
Ngaruhe - Ngāti Kahungunu
Visual
Arts
Nerys is a dynamic young visual artist who grew up
in both Aotearoa and Wales. Growing up she found it
difficult to connect to either ethnicity until art helped
her to connect with her roots. Her first form of creative
expression was through graffiti. She picked up a paintbrush
when she was nineteen and hasn’t stopped painting since.
Through her mahi Nerys hopes to awaken viewers’ sense of
cultural identity, and encourage them to find their own
creativity and express it. She currently exhibit s at Kura
Gallery in Wellington and also with an online gallery Toi
Tangata, which included her work in a recent show held in
Perth. Her next series, Te Paionia o te Ao Māori,
will be paintings and carvings about Māori pioneers in the
18th and 19th Centuries.
About the Te Waka Toi
Awards
Since 1986 these prestigious national awards have recognised excellence and achievement across all artforms, including Māori heritage arts practice (e.g. tā moko, tarai waka, waiata, mōteatea, rāranga, whakairo, te reo, whaikōrero, karanga, tukutuku, kowhaiwhai, kapa haka waiata a ringa, waiata tawhito, poi, whakaeke, whakawaatea, waiata haka, mau rakau, taonga pūoro and traditional Māori games) as well as the work of Māori artists across all forms of contemporary arts practice (e.g. theatre, dance, literature, photography, visual arts). The awards are hosted by the Arts Council of New Zealand Toi Aotearoa through Creative New Zealand and are supported by Te Puni Kōkiri, Te Papa, Te Matatini, Te Taura Whiri i te Reo Māori (The Māori Language Commission) and Te Māngai Pāho .