Wednesday, July 11, 2018
Hidden Masterton mural in public eye again
A Massey University researcher’s quest to preserve the work of artist and craftsman E. Mervyn Taylor reaches another
milestone this week when a recently-revealed mural, at the site of the former Masterton Post Office, will be the focus
of a talk and walking tour.
How the re-discovered Early Settlers mural looks after being retrieved from its walled hiding place at the site of the
former Masterton Post Office.
The artist created two ceramic tile murals that capture significant moments in Masterton’s and New Zealand’s history.
They include the mural Lest We Forget in the Masterton War Memorial Stadium Hall of Memories to commemorate the two world wars, and a work entitled Early Settlers that once decorated the outer entry to the post office.
The post office building was sold into private ownership in the 1980s and the mural was subsequently enclosed in the
ground floor of the building and secreted behind a wall in a retail space in 2009. After many years, the building has
been sold to a new owner, Masterton developer Trevor Pearce, who is strengthening and refurbishing the building, and has
removed the wall concealing the mural, returning it to public display.
PhD candidate Bronwyn Holloway-Smith, who was director of the E. Mervyn Taylor Mural Search and Recovery Project at
Massey University’s College of Creative Arts, will be giving a talk at the Aratoi Wairarapa Museum of Art and History on
Saturday July 14. She will also lead a guided tour of the two Masterton murals accompanied by archivist and local
historian Gareth Winter, who will speak about the war memorial mural. Mr Winter has written about that mural for Ms
Holloway-Smith’s book Wanted: The Search for the Modernist Murals of E Mervyn Taylor, which was published by Massey University Press in March.
She expressed excitement that the previously hidden work, which was protected and unable to be moved without a notified
consent, will now be back on public display.
“Previously hidden behind a wall, the building’s new owners have made the sensible decision to return this extraordinary
tile mural back to public view.”
The search for the missing mural and 11 others created by Taylor between 1956 to 1964, was inspired by the discovery of
one of his surviving murals, Te Ika-Māui, the story of Māui fishing up the North Island, stored in cardboard boxes in a
disused cable landing station.
PhD candidate Bronwyn Holloway-Smith with the E. Mervyn Taylor mural Te Ika-Māui, the story of Māui fishing up the North
Island, that inspired the search for up to 13 others missing murals by the artist. (Picture credit Louise Hatton).
Ms Holloway-Smith (an artist herself) made the discovery in 2014 when she was researching the history of the Southern
Cross Cable, New Zealand’s primary internet connection to the world, as part of a commission she was completing with
Wellington-based public art commissioning group Letting Space and the marketing firm JWT in Auckland. Since then she has
led efforts to meticulously clean and digitise the work through her project, Te Ika-a-Akoranga, and subsequently made
colour-matched, full-scale gouache paintings to fill the gaps left by 16 missing tiles.
E. Mervyn Taylor, who studied at Wellington Polytechnic, a forerunner of the College, also used carved wood panels, sand
blasted windows and paint to create his distinctive works made at the end of his career. “His work provides us with a
fresh perspective on New Zealand history that hasn’t necessarily been protected but is essential in ensuring a more
accurate understanding of what we represent as a nation,” Ms Holloway-Smith says.
Bronwyn Holloway-Smith’s illustrated talk is at Aratoi Wairarapa Museum of Art and History, 12 Bruce St, Masterton at
2pm, Saturday July 14.
Click here to access information about the book Wanted: The Search for the Modernist Murals of E Mervyn Taylor, published by Massey University Press http://www.masseypress.ac.nz/books/all/all/wanted and here http://murals.nz/ for the mural project page.