SCAPE Public Art to Exhibit in Christ’s College Quadrangle as Part of Presence
Gill Gatfield, Brett Graham and David McCracken are the next artists to be announced as part of Presence: the curated exhibition element of the SCAPE Public Art Season 2016. Located on the Christ’s College Quadrangle, the
works respond to the broad theme of Presence and is a landmark inaugural public presentation, by leading contemporary New Zealand artists, at this location. The
exhibition will be accessible to the public from Rolleston Avenue throughout the season.
With further artist announcement still to come, Presence is made up of diverse and engaging art works located in a range of spaces, selected by managing curator, Heather
Galbraith. The Christ’s College ‘Quad’, the heart of the school, forms part of the exhibition’s Public Art Walkway.
Christ's College Executive Principal Garth Wynne says being able to support SCAPE Public Art by hosting the 2016 season
is a great direction for the school. "We are thrilled to be a host site for SCAPE Public Art. We look forward to
welcoming everyone to Christ's College to view these stunning sculptures and to being a part of the Christchurch
celebration of the creative spirit."
The works on the school’s Quadrangle will be the last stop on the free, daily guided tours that depart the Arts Centre
each day during the season. The SCAPE Public Art Walkways provide exploratory trails around the artwork of Presence and other legacy works in the city weaving from the Arts Centre to the heart of Rolleston Avenue. Finishing in such
close proximity to the Botanic Gardens and Canterbury Museum offers many accessible options to spend time in the heart
of the city.
Deborah McCormick, Director of SCAPE Public Art says that the presentation of work in the Christ’s College provided a
wonderful new location to exhibit. “Presence is an exciting selection that places art at the heart of our city, sparking the imagination of visitors. Exploring
public art is an important way for young people to engage with their city in a positive way which makes a school setting
very fitting.”
The artists and exhibits on the Christ’s College Quadrangle are:
Gill Gatfield The Kiss, 2015
The X form has many cultural and symbolic references - the female chromosome, heraldic forms, a kiss in a text message,
and of course it ‘marks the spot’ in mapping. In this work by Whangaparaoa-based Gatfield, the X form is rendered
monumental in gleaming black granite. Its construction enacts the union of a kiss, the weighty granite panels interlock,
separated by a sliver of air. This abstract figure enfolds viewers and landscape in its intersecting planes and
reflective surfaces. The Kiss was first presented in Denmark at the centenary of women’s right to vote, asserting a partnership of equals.
Gill Gatfield, The Kiss, 2015, absoluto nero/black granite, 2000mm high x 3000mm diameter. Photo courtesy of artist.
Brett Graham Plot, 2008
Plot invites us to consider how we conceive of and value land. Waikato-based artist Graham (Ngāti Korokī Kahukura) was
interested in how the South Island had been divided up and then 'purchased' from Ngāi Tahu by the settler government to
be sold by plot, divested of its spiritual and ancestral value. The topographic rendering of Te Waipounamu (the South
Island) is hand-carved in marble, and sits on what is essentially a sarcophagus, suggesting that the land endures a
death when seen only as a commodity.
Brett Graham, Plot, 2008, hand-carved marble, 975 x 2100 x 1000 mm. Photo: Jennifer French. Courtesy of Two Rooms Gallery, Auckland.
David McCracken Portrait of Mass Ascending, 2014
Aucklands-based David McCracken contributes a suite of works for the Season; the first is Portrait of Mass Ascending in Christ’s College Quadrangle. The work reflects the artist’s keenness to interrogate and transform pedestrian
materials and objects into commanding and curious sculptural forms. Portrait of Mass Ascending pushes the form of a vertical column, which has a long history in the language of sculpture, and public sculpture in
particular. This one appears to be reaching upwards, with fissures emerging as its mass stretches, as if it were
composed of soft clay. This is illusory, as the sculpture is made from very hefty and rigid materials, welded corten and
stainless steel. The ‘portrait’ in the title strengthens the reference to a standing human form, although the appearance
of the work is abstract. McCracken is a highly skilled maker, intrigued by exploring the distinct properties of metals,
and properties of geometry and scale.
Left: David McCracken, Portrait of Mass Ascending, 2014. Photo courtesy of Gow Langsford Gallery.
Managing Curator, Heather Galbraith commented, “Presence is an exhibition exploring what it means to be ‘present’ and to discern a ‘presence’. Through selection and siting of
works the exhibition seeks to explore social, cultural, personal and political implications of being ‘present’, and of
being visible (or invisible). Presence includes a number of figurative art works, and sculptures employing an abstract formal language to investigate physical
and emotional states of being. The project acknowledges Ngāi Tahu as tangata whenua, and the many waves of long-term and
short-term citizens of Ōtautahi Christchurch. The thematic also connects with the emotional and visceral punch of the
Antony Gormley sculptures in the Ōtākaro Avon River and the Arts Centre settings and other existing public art works
previously commissioned through SCAPE Public Art.”
SCAPE Public Art has moved from its biennial model to an annual, six-week season of Public Art from October 1 – November
12 2016 (incorporating school holidays and the New Zealand Cup and Show Week celebrations), launching new works and
showcasing the extensive current catalogue of major public artworks.
Heather Galbraith’s role as Managing Curator extends over three annual seasons through to 2018. Presence, the 2016 Season, will exhibit works from an impressive mix of New Zealand artists curated and selected by Galbraith. The
move came after the success of the internationally acclaimed SCAPE 8 New Intimacies Biennial, the most high profile of the series to date. The further establishment of Public Art Walkways through the
Central City is now seen as essential for the critical mass of legacy works, which have evolved in recent years. The
annual seasons will provide an opportunity to focus on the introduction of new works whilst maintaining focus on the
impressive base of legacy pieces.
The 2016 Season profiles six key elements related to public art. These components include;
• SCAPE Public Art Walkway
• Presence - Heather Galbraith’s curated exhibition of public artwork
• Re:ACTIVATE - Student & emerging artists’ exhibition
• SCAPE Education – Classroom programme and art making activities
• SCAPE Speaker Series - Artists talks, screenings and public programmes
• SCAPE Events - Including an opening weekend of youth, family and children-focused free events