New Te Papa art treasures unpacked in Whangarei
More treasures from the national art collection will be unveiled at the Whangarei Art Museum over the coming year in the
second season of Unpacked – Treasures from Te Papa.
The quietly intense portrait Head of a girl from Christchurch-born artist Raymond McIntyre is the first of four works on display at the museum from Saturday.
Whangarei Art Museum Trust Chairperson Grant Faber says, “We are delighted to bring major art works from Te Papa to the
North for a second season.”
Unpacked is part of Te Papa’s broader programme to work with regional museums and galleries.
“We work hard to ensure New Zealand’s national treasures are accessible to more people in more places,” Te Papa’s Chief
Executive Rick Ellis says.
The Whangarei Art Museum and Te Papa worked together on the rotating programme of art, which features a different work
in the space every three months.
Te Papa’s Curator Historical New Zealand Art, Dr Rebecca Rice, says McIntyre was one of New Zealand’s most intriguing
artists of the early 20th century.
“He pared everything back to capture the essence of his sitters,” Dr Rice says.
“McIntyre studied at the Canterbury College School of Art, and after leaving New Zealand in 1909, he steadily developed
a reputation in England, where he was influenced by the latest European art trends,” she says.
“However his career was cut short by his death at only 54.”
In July, a second art work will go on show from celebrated New Zealand painter Frances Hodgkins, Still life: self-portrait.
Dr Rice says of the painting, “By the time Hodgkins painted Still life: self-portrait in the 1930s, she was a leading modern artist in Britain. Already in her 60s, she knew that her age and gender might
threaten the reception of her work. Her self-portrait, then, is actually a still life. The mirror in the centre refuses
In October and January 2016 two further art works will go on display as part of Unpacked – Treasures from Te Papa.
Background on Raymond McIntyre
Raymond McIntyre was born in Christchurch in 1879. Educated at Warwick House until the age of 15, he then went to the
Canterbury College School of Art as an evening student.
McIntyre was able to observe the fresh techniques of impressionism in 1906–7 when 20 works by New English Art Club
painters were shown at the New Zealand International Exhibition in Christchurch. He had been exhibiting landscapes and
portraits regularly with the Canterbury Society of Arts since 1899 and by 1908 his loosely brushed paintings blended
influences from Petrus van der Velden with English impressionism. Local critics were not always impressed. He was
labelled 'a decorator' and, according to Leonard Booth, was scorned because he was an impressionist. This lack of
critical and local artistic success seems to have convinced McIntyre that he should pursue his artistic career in
Arriving in London in February 1909, McIntyre began a period of intensive study and painting. He exhibited frequently
over the next decade, and had a painting accepted for exhibition at the Royal Academy of Arts in 1924. He ceased to
exhibit his work after 1926 although he still painted for his own enjoyment.
McIntyre was also a writer, printmaker, photographer and theatre and music critic. He died in London in September 1933
from an infection.