NZSO Welcomes Māori New Year with an Orchestral Tour De Force
The New Zealand Symphony Orchestra celebrates Matariki with a musical journey around the solar system and a new commission by New Zealand composer Eve de Castro-Robinson.
English composer Gustav Holst’s The Planets is an orchestral tour de force. From the weighty and arresting, doom-laden rhythmic strains of Mars - The Bringer of
War, to the mysterious beauty of Jupiter - the Bringer of Jollity (and the Rugby World Cup theme song), Holst’s
memorable seven-movement masterpiece glides seamlessly from gestures of grandeur to glistening moments of introspection.
Each movement of the suite is named after a planet of the solar system and its corresponding astrological character.
(Earth was not included). A fellow traveller introduced Holst to astrology during a tour of Spain in 1913 and he soon
devoted himself to the study of the planets and the ancient gods associated with them, even learning to cast horoscopes.
From here emerged one of the most popular works of the twentieth century. Originally composed for two pianos and an
organ, this brilliant work was finally orchestrated with the help of colleagues, as Holst’s arthritis prevented him from
the fiddly work of orchestration. The Planets premiered during the last weeks of World War I on 29 September 1918, with conductor Adrian Boult. It was an immediate
success, exciting a frenzy in the press with its kaleidoscope of orchestral colours and originality.
Auckland-based composer Eve de Castro-Robinson’s specially commissioned work The glittering hosts of heaven conjures a similar air of mystery and wonder.
“Rather than being descriptive, like Holst’s The Planets, it is a sonic springboard for me, the players and listeners to consider what it is that surrounds us, that gives us
protection, solace and hope,” says de Castro-Robinson. “The music ranges freely from high glittering passages to slow
contemplative events and serene passages, but overall is searching and restless in tone, as befits a questioning
spirit.”
Dedicated to her parents, The glittering hosts of heaven was inspired by English writer H.G. Wells’ sentiment:
There is - though I do not know how there is or why there is - a sense of infinite peace and protection in the
glittering hosts of heaven. There it must be, I think, in the vast and eternal laws of matter, and not in the daily
cares and sins and troubles of men, that whatever is more than animal within us must find its solace and its hope.
Matariki is both the name of the Pleiades star cluster and also of the season of its first rising in late May or early
June - the beginning of the New Year. The name Matariki is also used for the central star in the cluster, with the
surrounding stars named Tupu-a-nuku, Tupu-a-rangi, Waiti, Waita, Waipuna-a-rangi and Ururangi. With the rise of the
Seven Sisters, Matariki begins, marking the arrival of the Maori New Year.
“The seven soloists acknowledge the Seven Sisters of the Pleiades. At Matariki, New Year in the Maori calendar, there is
renewed respect for the land, and thoughts turn to the past and the future, including the legacy of parents,” says de
Castro-Robinson.
Stargaze with the New Zealand Symphony Orchestra this Matariki in The Planets, proudly brought to you by National Tour Partner Newstalk ZB.
ENDS