Ellerslie Theatrical Society presents
Present Laughter
by Noel Coward
directed by David Blakey
14 to 23 March 2013
A renowned actor who performs continuously - whether on or off the stage - runs into problems with an aspiring actress,
an obsessive writer and the attentions of the partner of one of his friends. These come on top of his dawning discovery
that he is still in love with his own partner, from whom he is separated. And, to crown it all, he's about to go on tour
in New Zealand. Noel Coward's play is brought spectacularly into the twenty-first century with a state-of-the-art story
of marriage and morality.
“there is sharp-writing, skill, intriguing characters and complicated situations written with style.” ~ The Passionate Playgoers
DIRECTORS VIEW
Present Laughter is probably the greatest of Noel Coward’s plays. When it opened in 1942, reviews included the
Manchester Guardian: ‘One is tempted to cast discretion to the winds and predict that this will be remembered as the
best comedy of its kind and generation...one of those rare occasions when the critic must claim the privilege of his
fellow-playgoers, simply to marvel, admire, and enjoy wholeheartedly.’ Sadly some characters and business in Present
Laughter are meaningless or even negative to modern audiences. I wanted to transform the play into one that would make
audiences in 2013 laugh as much as audiences had laughed in 1942. I believe that my interpretation keeps the spirit of
the play and revives it for modern audiences.
As an actor, I have appeared in other Noel Coward plays, and I have never been really happy that each of those plays
were staged as if the action was taking place in the year in which the play was first staged. Placing Blithe Spirit in
1941 or South Sea Bubble in 1951 makes them period pieces; I think that this is unfair, because Coward’s characters and
situations can appeal to modern audiences. Many of the plays – and this is especially true of Present Laughter – can be
brought up to date without taking away anything that would appeal to a modern audience.
In many of Coward’s plays, the principal characters – and especially the male leads – are not very nice people – or,
rather, they would not be thought of as very nice today. It was one of my aims to make Garry Essendine a likeable man;
he does have a tendency to overact and to lecture other people, but I wanted to make him behave like that without his
having any nasty intent. On the whole, the Garry in my Present Laughter is a likeable man. At the end of play, I hope
that audiences will be happy for him.
PHOTOGRAPHS (larger images available for publication – black & white and colour versions attached)
Morris phones Jo – (left to right) – Peter Boyes, Barrie Graham, Pip Simonian
Jo doesn’t answer – Peter Boyes, Barrie Graham, Pip Simonian
PERFORMANCE DATES
Thursday 14 to Saturday 16 March 2013 at 8pm
Sunday 17 March at 2pm
Tuesday 19 to Friday 22 March 8pm
Saturday 23 March at 2pm and 8pm
BOOKINGS
iTICKET – www.iticket.co.nz or phone 09 361 1000 (booking fee/delivery fee will apply)
TICKETS
Evening $22, $20 (discounted)
Matinee $16, $13 (discounted)
VENUE
Stables Theatre (Ellerslie War Memorial Community Centre, Cnr Main Highway & Arthur St, Ellerslie, Auckland
Click for big version.
ENDS