APO Meets Contemporary Dance for Rugby World Cup
APO Meets Contemporary Dance for Rugby World Cup
Rugby and contemporary dance aren’t the most
obvious of bedfellows. But 2011 isn’t a usual rugby season
and this isn’t just any contemporary dance
performance.
The Auckland Philharmonia
Orchestra enters into the spirit of the Rugby World Cup
tomorrow when it welcomes internationally renowned dance
choreographer Royston Maldoom to New Zealand.
The
official welcome commences with a pōwhiri at Orakei Marae,
Auckland, from 9.30am, and will also be attended by
dignitaries including Carwyn Jones, First Minister of Wales.
Maldoom is in New Zealand to act as choreographer and
artistic director of Sacre: The Auckland Dance
Project.
Sacre is staged in association
with the REAL New Zealand Festival for Rugby World Cup 2011,
and brings together 190 young people from north, south, east
and west Auckland, drawn from decile one to 10
schools.
For the last few months, the young dancers
have been attending workshops with the APO’s own education
team and leading New Zealand dance professionals Ann Dewey,
Taiaroa Royal and Moss Patterson.
From Monday 12
September, Maldoom takes full control, with the first
rehearsals involving Hay Park and New Lynn schools, and,
later the same day, Tangaroa College, Kristin School and
dance students from the University of Auckland.
On 14
October, the project ends with a contemporary dance
performance of Stravinsky’s The Rite of Spring at
the Aotea Centre with Auckland Philharmonia Orchestra and
its Music Director, Eckehard Stier.
Project
coordinator Sally Markham says that Sacre can open
doors into wider worlds. “It’s about creating
opportunities that young people would never have: dancing on
a professional stage, performing with a live orchestra,
working with a world famous artistic director; these are not
the sorts of things most people get to do.”
But,
Markham adds, the social aims are as important as artistic
ones. “The chance to work with other students is a big
thing; the people in this project come from worlds that may
not ordinarily intersect. These projects where professional
arts sectors are put next to community and education sectors
are important because they create opportunities for
change.”
Barbara Glaser, Chief Executive of Auckland
Philharmonia Orchestra, says that the APO is proud to
present Sacre: The Auckland Dance Project. “This is
something we’ve been planning for a few years, so to have
finally reached this point is special for us. Royston is an
international star who has worked with many of the world’s
leading orchestras and it’s lovely to have him in New
Zealand. He has indicated his interest in New Zealand
culture, so we’re delighted that Ngāti Whātua o Orakei
has agreed to host the pōwhiri. I’d also like to thank
the REAL New Zealand Festival for having faith in what
we’re trying to achieve. This is a big project that
involves hundreds of people, and it’s fitting that we
launch Sacre on the same day that the Rugby World Cup
opens.”
ends