Press release Tuesday 26 April 2010
Palmerston North’s Reel Earth best picks for 2010 announced.
Organisers of the Southern Hemisphere’s largest environmental film festival, Reel Earth, today announced its pick of
nominations for its best of 2010 film awards. The Palmerston North-based annual festival also announced the selected
programme of films to screen in the city’s Downtown Cinemas, from 23 May to 5 June 2010.
More than 200 film entries from over 40 countries have been rigorously scrutinised by our New Zealand-based jury panels,
says festival director Warren Jones. ‘Our independent selection panels have chosen 78 films for this year’s festival
programme. The best 18 have been nominated to Reel Earth’s juries for awards to be announced at the festival gala
opening evening on 22 May.
Reel Earth’s sixth season opens with a ‘Green Carpet’ gala night at Palmerston North’s Regent on Broadway Theatre. The
gala programme will have a weekend of ‘green activities’ free to the the public in Civic Square, as well as free
workshops for filmmakers and photographers whose focus is the world around us.
Common themes in this year’s festival cover the environment, social justice, natural history, biodiversity and
sustainability issues. The award nominee classifications are: short films of up to 15 minutes; short films of 15 to 45
minutes; feature-length movies; and New Zealand-made movies, with several craft awards also.
Reel Earth was founded in Palmerston North by a group of like-minded, environmentally-aware film enthusiasts in 2005.
‘Our film festival is firmly based here in the Manawatu, with growing interest from all over the region. Today it has
expanded to capture the attention of environmentally-focused filmmakers around the world,’ says Mr Jones.
The festival programme and ticket information are on Reel Earth’s website www.reelearth.org.nz Tickets for films and
sessions can be purchased online from TicketDirect and Downtown Cinemas or at their respective box offices from 17 April
Reel Earth—where the earth gets seen, gets heard, and gets attention
- ends -
For more information please contact: Warren Jones, Reel Earth Festival Director
Mob: +64 27 325 6004 Office +64 6 350 1812 email@example.com
Feature Films Country/Director Synopsis
The Unnatural History of the Kakapo New Zealand Director: Scott Mouat Most New Zealanders know at least
something of the story of the kakapo’s rescue from the brink of extinction. What more can be said that hasn’t already
been documented; that hasn’t already entered the national consciousness? The Unnatural History of the Kakapo uses a
strong, well-written storyline, sound information and excellent filming to show the answer is, “Plenty”. For the last
several decades, the outlook for kakapo was bleak, as if the efforts were only slowing rather than preventing inevitable
extinction. But recently-developed scientific techniques showed much of the problem arises from the birds themselves:
they’re too closely related, leading to infertile eggs and dead embryos. The film shows how the combination of careful
thought, good science and a diverse range of skilled and passionate researchers and support staff identified the
problem, worked out what to do about it, and put those plans into action. The result was the most successful kakapo
breeding season on record.
Sometimes funny, sometimes emotionally difficult, but always gripping, Kakapo portrays powerfully the story of one of
New Zealand’s most internationally famous conservation successes and the people who confronted the apparent
inevitability of this wonderful bird’s extinction. Now, extinction is optional.
The Legend of Pale Male Luxenbourg
Director: Frederick Lillien When a wild red-tailed hawk, dubbed “Pale Male” because of his colouring, settled in New
York’s Central Park in the early 1990s he became a celebrity, attracting attention not just among New Yorkers but
internationally. Among those captivated was a young Belgian: a self-proclaimed clueless escapee from a career in law.
For the better part of the next two decades, Frederic Lilien documented the story of Pale Male and the effect this wild
predator had on the humans who grew to love him. But the rich occupants of the apartment building on which Pale Male and
his partner had set up home arranged for their nest to be removed. Outrage followed, and the film shows just how
powerful a force humans’ connection for nature can be. Lilien’s genius was in turning the camera on the observers as
well as the birds, showing (not telling) us just how much we need wildness and nature: that we need the spirit of the
true jungle at least as much as we need the concrete one. A particularly strong storyline combined with humour and
skilled film-making make Pale Male emotionally compelling and deliver a beautiful, subtle story about hard-nosed New
Yorkers discovering environmental consciousness.
Call of Life USA
Director: Monte Thompson A Fascinating and informative film Call of Life provides an unusually rigorous, in-depth
analysis of The Importance of Biological diversity and the devastating Consequences of the current, out-of-control
Extinction rate. Fronted by Some of the best-respected, articulate bridge names in ecology and environmental science (eg
Vitoušek, Pimm, Leakey, Ehrlich, Meyers), it should BE required viewing for anyone "and with vested Interest in
Maintaining the diversity of life on Earth - That and, as the film explains so convincingly, MEANS ALL of us.
Discussions about topics like the psychology of denial Climate Change, the Importance of conserving populations not just
species, and how the Historical Changes in the Religious and Spiritual Attitudes Has Influenced Reverence for the
environment, are interspersed with powerful, brilliantly Explained examples - the way the blood of lizards on the West
Coast of the U.S. protects from Lyme disease Humans with a Particular gem, leading one to wonder What Kinds of
protection WE Might Lose Before Even WE know we're benefiting. Serious, Rich and Challenging, Call of Life rises far
beyond the superficial environmental jeremiads of many documentaries and explores its subject in commendable depth.
Milking the Rhino USA
Director: David E Simpson The Maasai of Kenya and the Himba of Namibia are two of Earth’s oldest cattle cultures.
Conventional African wildlife documentaries often depict both cultures — if at all — as a problem for conservation: in
conflict with wildlife, poaching, killing for bushmeat, turning habitat for wildlife into sparse, sere pasture for bony
cattle. In contrast, Milking the Rhino gives the Maasai and Himba their own voice in conservation, and offers “…complex,
intimate portraits of rural Africans at the forefront of community-based conservation: a revolution that is turning
poachers into preservationists and local people into the stewards of their land”. Moreover, skilful filming and editing
delivers a powerful, moving film that shows us ourselves and our culture through the eyes of those we typically see as
“the other”. Sometimes this insight is comical; sometimes it’s sobering or uncomfortable; always it provokes thought.
One of this festival’s top films, Rhino busts myths about wildlife conservation in Africa and might permanently change
your perspective on indigenous conservation.
The Age OF Stupid UK
Director: Franny Armstrong & Lizzie Gillette "I think everyone in the future will perhaps blame us for not thinking to protect the
environment. We knew how to profit but not to protect."
Almost flawless, cleverly structured, and with an opening worthy of a Spielberg film, The Age of Stupid delivers an
extraordinarily thought-provoking take on modern civilisation’s oil-fueled drag race against planet Earth. In the
devastated world of 2055, the curator of an archive of relics from the last days of human civilisation (Pete
Postlethwaite) lives alone among books, documentary footage, pickled animals, skeletons and echoes from the past. “Why,”
he asks, while looking at footage from our present, “didn’t we stop climate change when we had the chance?” The film
takes risks and makes them pay off, delivering a mainstream message in a novel way and creating a film that’s
intriguingly complex but not confusingly complicated. Powerful emotive content backed up by sound information and a
structure that links disparate threads produces a compelling argument; moreover, it engenders a strong desire to do
something to counter the stupidity that’s ruining our Earth. Despite its apparent prognosis The Age of Stupid doesn’t
depress — it galvanises. Essential viewing.
NZ Films Country/Director Synopsis
The Unnatural History of the Kakapo New Zealand Director: Scott Mouat (Refer Features above)
Carving The Future New Zealand Director: Guy Ryan and Nick Holmes “You are one person, and you don’t stand alone”
This short film debut by Guy Ryan and Nick Holme stirs hope and challenges the viewer with an inspirational account of
how young New Zealanders are leading change for the betterment of our environmental future. Produced while Ryan and
Holmes were students at Otago University and crafted for a youth audience, the film shows how one person might change
the future. It aims to inspire tomorrow’s leaders to act today on the challenges posed by climate change and short
sighted management: challenges that are already damaging tomorrow’s environment. Grassroots, youth-driven community
action inspired the film. Features the music of Raglan band Cornerstone Roots.
Albatrocity New Zealand Director: Ian Frengley and Edi Saltau “...they challenge our imagination of what is
New Zealand filmmaker Iain Frengley traces the story of the albatross, immersing the viewer in the beauty, majesty and
vulnerability of these birds as viewed through the dramatic prism of Coleridge’s famous poem The Rime of the Ancient
Mariner. Using some of the most innovative visual effects in documentary film, the work distils a vast collection of
natural history, harsh reality and folklore in a well paced viewing experience. Remarkable oceanic and onshore footage
woven in a creative synthesis elevate this film to a class of its own. In tracing poetry we find our relationship with
the winged monarch of the sea.
Love In Cold Blood New Zealand Director: Jane Adcroft New Zealand film makers Carla Braun-Elwert and Jane
Adcroft tell an enchanting love story as they bring to life the slow courtship of Mildred and Henry, two elderly tuatara
in Invercargill’s Southland Museum. And when we say slow courtship, we mean it: they’ve finally decided to mate at the
ripe young ages of 80 and 111 years. It’s an event forty years in the making, but their partnership means a lot, not
just for the passionately dedicated people who care for these rare animals, but for the very survival of this rare,
iconic species still sailing aboard ‘Moa’s Ark’.
Vegetables From The Sea New Zealand Director: Adam Hermans Our shores offer a great source of food that most of us
ignore. You are invited to take a tasty bite and develop an appetite.
Short Films Country/Director Synopsis
Director: Mark Craste In the face of overwhelming urbanization, indifference and recklessness, a small creature
struggles to preserve a remnant of the peace he once knew. His selfless acts of love plant the seeds of change that will
ultimately prove the salvation of his world — but at what cost to himself? This elegant and beautifully rendered
animation draws inspiration from the best graphics houses and even without dialogue easily creates a strong sense of
emotion. Parallels to the Christian concept of rapture and afterlife are evident, but is there another parallel in the
real world — will turning away from a soul-destroying existence as urban automatons be a key to freedom and appreciation
for the environment?
A Simple Question: The Story of STRAW USA
Director: Kevin White and David Donnenfield In the face of overwhelming urbanization, indifference and recklessness,
a small creature struggles to preserve a remnant of the peace he once knew. His selfless acts of love plant the seeds of
change that will ultimately prove the salvation of his world — but at what cost to himself? This elegant and beautifully
rendered animation draws inspiration from the best graphics houses and even without dialogue easily creates a strong
sense of emotion. Parallels to the Christian concept of rapture and afterlife are evident, but is there another parallel
in the real world — will turning away from a soul-destroying existence as urban automatons be a key to freedom and
appreciation for the environment?
Carving the Future New Zealand Director: Guy Ryan and Nick Holmes (Refer NZ Films above)
Albatrocity New Zealand Director: Ian Frengley and Edi Saltau (Refer NZ Films above)
Director: Joe York “My beef is just like industrial commodity beef except it's healthier, safer, better for the
environment, and it tastes better. Other than that it's exactly the same.” — Georgia cattleman Will Harris
Grass-fed beef, the family farm and a dog named Possum: it could be anywhere in New Zealand, but this is the US. With
humour and insight, fourth generation cattleman Will Harris provides a timely reminder that, in the grand scheme of
things, grass fed beef in an organic context is a surprisingly sustainable land use and wealth generator. The paradox
for the New Zealand viewer is to see a farmer being held up by the environmental community as a paragon of agricultural
virtue while remaining part of the USA’s environmentally disastrous approach to animal production. In New Zealand, that
same farmer and his system would be slated by some environmentalists. What a difference a country and a context makes. A
film guaranteed to dismay vegetarians and horrify vegans, but offering a different perspective on agriculture. Frank and
Lines of Flight UK
Director: Sal Brown “The discovery of a direction they didn’t know.”
Connecting industrial towns and the barren wilderness of the northern English moors and their gritstone outcrops, film
makers Sal Brown and Martin Wood portray the adventure and sheer joy of escape through the physically and mentally
demanding world of solo rock climbing. Using spectacular ascents of some of the Pennine region's iconic gritstone
climbs, the film considers the impact of social and economic transformations on the landscape and on the minds of a few
individuals. A magnificent meditation on environment, place and humanity. As for the solo climbing — it’s for none but
the utterly fearless (or foolish)! A film for any thoughtful person, whether you climb or not.
Love in Cold Blood New Zealand Director: Jane Adcroft (Refer NZ Films above)
Ultra Short Films Country/Director Synopsis
Vegetables From The Sea New Zealand Director: Adam Hermans Our shores offer a great source of food that most of us
ignore. You are invited to take a tasty bite and develop an appetite.
Director: Angela Steffen Lebensader (Vein of Life) is an awesome animation that takes a spiritual look at the
interconnectedness of life. Those in the know say it‘s a must see.
Flood Children of Holdibari Bangladesh
Director: Mary Matheson Bangladeshi children look at practical measures on their river island to make life easier during
the floods that have become more extreme with climate change. Eye-opening maturity in eye-watering circumstances make
for compelling watching.
Dark Clouds UK
Director: Peter Szewczyk Dark Clouds is a beautiful animation of rain that shatters flora and fauna. Prepare for
edgy acidity from great heights and be grateful this is not screened in 3D!
Rethink The Shark South Africa
Director:Erica Brumage Fear of JAWS is omnipresent but is that fear justified? Expect to see more of this little
The Break Up New Zealand Director: Charlee Collins And you thought using your mobile phone was the easy (but
cowardly) way of breaking up? Watch this. It’s time to end our relationship with global warming!
Media information 16 April 2010
Palmerston North’s sixth Reel Earth environmental film festival, 22 May-5 June
In just five years Palmerston North’s annual home-grown and volunteer-run ‘green’ film festival has become the largest
international, juried environmental film festival in the southern hemisphere, according to Reel Earth Director Warren
Of the 200 films entered from over 40 countries, around 70 films have been selected by a New Zealand-based jury of
science and film specialists for the 2010 festival screening from 23 May – 5 June. The festival has four
categories—ultra short films of up to 10 minutes; short films of 10 to 45 minutes; feature-length movies; and New
Zealand-made films. Category award nominees include recognition for best New Zealand film; cinematography (NZ); emerging
filmmaker; feature film; short film; ultra short film; and science communication.
Category award and craft winners will be announced at Reel Earth’s ‘green carpet’ gala opening evening at The Regent in
Palmerston North on 22 May, with Auckland actress Robyn Malcolm as MC, and Wellington band The Black Seeds providing
entertainment. Also attending the opening weekend is special international guest speaker, Vincent Laforet, an acclaimed
French-American photojournalist, filmmaker, and Canon USA Explorer of Light and Master of Print. His Pulitzer
prize-winning work includes both exquisite fine art still photgraphy and HD cinematography made on Canon’s remarkable 5D
MkII camera technology.
Reel Earth’s festival programme is on www.reelearth.org.nz . The environmentally-themed films screen in Palmerston
North’s downtown cinemas from 23 May-5 June 2010. The festival also features film workshops, seminars and a series of
community activities including a civic welcome and a ‘green carnival of sustainability’ during the opening weekend in
Palmerston North’s Civic Square. The festival will then tour most New Zealand main centres and nearly 1800 schools.
The combined production budget of more than $75 million for this year’s films demonstrates filmmakers around the world
are becoming more and more committed to telling their environmental stories.
Reel Earth Fact Sheet
Reel Earth’s line up of activities includes:
Screening for school’s programme on 19 May at the Regent Theatre.
Civic welcome to visiting filmmakers and media Civic Chambers Fri 21 May.
Some 45 environmentally-themed exhibitors in Palmerston North’s Civic Square on Saturday 22 May for hands-on activities,
technologies and games connected with environmental and sustainable living.
Award-winning entries announced at the ‘green carpet’ gala opening night at the Regent Cinema on Broadway on Saturday 22
May with Robyn Malcolm as MC and Wellington band The Black Seeds;
High-visibility and environmentally-themed festival programme over two weeks throughout Palmerston North CBD.
Special international guest speaker, Vincent LaForet, attending opening weekend to hold workshops and a public seminar.
LaForet is an acclaimed French-American photojournalist, filmmaker, and master of light. His work includes multiple
Pulitzer prize-winning photographs.
Reel Earth is a not-for-profit volunteer organisation founded and based in Palmerston North.
Reel Earth was established by a group of like-minded, passionate Manawatu-based individuals and filmmakers wanting to
share environmental stories and concerns through the powerful medium of film.
Reel Earth is run by its founding group of hands-on and dedicated volunteers who are professionals working in science,
research, education, photography, and filmmaking.
Festival brings together national and international filmmakers of repute.
Open to all professional and amateur international filmmakers any age.
Encourages films contemporary, challenging, creative, original and resonant.
Festival organisers encourage a strong representation of young filmmakers.
A robust and rigorous jury process of New Zealand-based high-level media professionals, scientists, educators, and
filmmakers, select 70 best films.
An adjudicated festival. Judges are a key strength of festival and its Palmerston North profile – eg scientists from
Massey apply rigorous science focus to film analysis.
Post festival filmmakers tours to Wellington.
Award winning entries and other selected highlights tour New Zealand following the Palmerston North screenings.
This year, for first time, a 90-minute package of Reel Earth highlights will be shown at nearly 2000 New Zealand schools
throughout the country.
Empowering current and future NZ environmental filmmakers through international internship programme (current intern in
USA in leading pixel animation studio, will attend festival. Two interns invited to States 2011).
Strong, growing support and buy-in from Palmerston North businesses, local authorities and major international agencies
on board to support Reel Earth.
Reel Earth a powerful driver for Manawatu’s vision for an annual event of international significance for the region. Set
to grow as a globally significant festival that showcases and enhances Manawatu’s goals and stance for sustainability
and environmental best practices.
Funding partners, associated supporters, local and international sponsors:
Palmerston North City Council
Palmerston North City Environmental Trust
Palmerston North City Library
Kingsgate Hotel Palmerston North
NZ Agricultural Greenhouse Gas Research Centre
Eastern and Central Community Trust
Manawatu Chamber of Commerce
Manawatu District Council
Van Uffelen Gallery
Bruce McKenzie Booksellers
Canon Australia (for Vincent Laforet support)
Apple South East Asia (for Vincent Laforet support)