Two New Exhibitions At The Physics Room

FOR IMMEDIATE RELEASE

Two New Exhibitions At The Physics Room

Speaking in Ramas
Kirstin Carlin and Krystie Wade
18 February–15 March 2009

Opening preview: Tuesday 17 February 2009, 5.30pm

Taking the historical and conceptual notion of the panorama as their shared starting point, Kirstin Carlin and Krystie Wade have sought to interrogate panoramic pictorial devices and the process of stitching and blurring images to create the works on show in this collaborative project.

Intending to produce an exhibition that not only communicates ideas relating to the panorama and its pictorial function, but also an exhibition that celebrates the medium of painting, The Garden City with the colonial overtones of its historic provincial buildings and various coursing rivers that pass through it seems a particularly fitting location for a series of works that seek to blur the boundaries between notions of an evolving or passing landscape and its depiction.

Carlin focuses on the synthesis that must occur to produce any kind of panorama but the lines she bends are related more to her painting’s content and their source material than to the creation of alternative forms of stretched or elongated perspective. Drawing source material from postcard images of Christchurch and pictures sourced from the internet of Kew Gardens in London, Carlin’s fantasy landscapes simulate impossible sites.

Wade takes the disorientating physical experience of experiencing a full panoramic painting or image as her initiating moment. Yet she distances her works from the historical ‘truths’ that the most of the famous panoramas sought to display and chooses instead to investigate the artificial infinity of the panoramic painted surface with all its contorting and manipulated lines of perspective and evocations of movement.

Kirstin Carlin graduated from Unitec with a Bachelor of Design in painting in 2003. Since graduating from Unitec Carlin has exhibited her work regularly in artist-run and dealer galleries. After spending time living and working overseas Carlin returned to New Zealand and completed a Post-Graduate Diploma in 2007 at Elam School of Arts, Auckland University. Recent solo and group exhibitions held in Auckland include: Destination with Michael Harrison, Snowwhite, Unitec, Auckland (2008); Does Rudy Speak from the Beyond, rm103 (2008); Paintings (Curated by Sam Rountree-Williams, Richard Bryant and Patrick Lundberg), Window Space, Auckland University (2008); Lipstin, Anna Miles Gallery, (2007). Kirstin is represented by Anna Miles Gallery and lives and works in Auckland.

Krystie Wade graduated from Unitec in 2004 with a Bachelor of Design in painting. She was chosen to represent Unitec at Bremen University in Germany in 2003 where she studied under Professor Karin Kneffel then travelled to Norway, Australia, and the USA. She has exhibited in a number of exhibitions in New Zealand and abroad including: Christmas Show, Whitespace, Auckland (2008); Joyeux Noel, Kobo Chika Gallery, Tokyo, Japan, (2008); New Paintings, Whitespace, Auckland (2008); Pretty Pretty, Snowwhite, Unitec, Auckland (2007). She has also been a finalist in a number of awards including the James Wallace Art Awards and the Agendo Art Awards in Melbourne Australia. In 2009 she will participate in an International Residency at Can Serrat Art Centre in Spain and her work will be included in the soon to be published book Seen this Century by Warwick Brown. Krystie works from her studio in Epsom, Auckland and is represented by Whitespace Gallery.

For further information on this exhibition please contact The Physics Room on +64 3 379 5583 or email physicsroom@physicsroom.org.nz

B-Sides & Demos
Tony de Lautour
18 February–15 March 2009

Opening preview: Tuesday 17 February 2009, 5.30pm

Sourced from his own personal archive of drawings, preparatory works and prototypes, B-Sides & Demos presents a selection of previously un-exhibited works by the well known Christchurch artist Tony de Lautour.

Further populating common knowledge of de Lautour’s practice by filling in the blanks that exist in amongst his well known back-catalogue of paintings from the early 1990s through to now, this exhibition includes a wide range of material from as early as 1992.

Drawn from preparatory sketches and doodles on scrap paper, working drawings and drafts alike, these works chart the artist’s eclectic and adventurous processes as forms and figures cycle through the years and various configurations along the way.

Most of the work incorporated here wouldn’t normally find itself on show, but many of the figures and formations that have since become well recognised features of de Lautour’s painted practice actually find themselves realised here in many of these simple works for the first time.

Lions, kiwis, knives, bottles, corporate symbols, slogans and lyrics all jostle for attention at different junctures. B-Sides & Demos and the catalogue produced to document this Physics Room exhibition will clearly illustrate the flexible and ever-cycling vocabulary of forms and characters that de Lautour has established over the last 16 years.

Tony de Lautour graduated with a Bachelor of Fine Arts from the University of Canterbury in 1988. He is currently represented in New Zealand by Brooke Gifford Gallery, Hamish McKay Gallery and Ivan Anthony, and by Ray Hughes Gallery in Australia. Recent solo exhibitions include: Souvenirs, Hamish McKay Gallery, Wellington (2008); Trance, Hamish McKay Gallery, Wellington (2007); Password, Ivan Anthony (2006); Maze, Ivan Anthony (2005).

Select group exhibitions include: Coming Home in the Dark, Christchurch Art Gallery (2004); Bombs Away, Adam Art Gallery, Wellington and The Physics Room, Christchurch (2003); Dark Plain, Centre of Contemporary Art, Christchurch (2001); Prospect 2001: New Art New Zealand, City Gallery, Wellington (2001).

Tony de Lautour works are also held in the following public collections: Aigantighe Art Gallery, Timaru; Auckland Art Gallery; Govett-Brewster Art Gallery, New Plymouth; Museum of New Zealand Te Papa Tongarewa, Wellington; National Library of New Zealand, Wellington; Christchurch Art Gallery; Sarjeant Gallery, Wanganui and University of Canterbury.

To preorder your copy of the B-Sides & Demos catalogue which includes full colour reproductions of many of the works included in the exhibition, an essay by Associate Professor Mark Williams and a hand printed stencil cover by the artist please contact The Physic Room.

ENDS

© Scoop Media