Velvet Tiger Presents: Wild Things 07
Velvet Tiger Presents: Wild Things 07
Hear what revisionist history has tried to obscure -- the real sound of the 60s underground!
A Celebration of the Wilder
Side of 1960s NZ Rock and Roll
Click for sounds from the myspace page!!
AUCKLAND @ THE MONTE CRISTO ROOM
51
-53 NELSON STREET, CITY
SATURDAY 17th NOVEMBER – doors
@ 7-30pm
You thought the 1960s in NZ was all about tame, parent-approved pop and well-behaved family entertainers? You think that The Chicks and Peter Sinclair were as edgy as it got? Don’t be misled by how “history” pretends it all was, because mid-60s New Zealand was a hotbed of underground thrills: hip vibrant youth packing happening clubs, to the sound of groups playing a frantic, uncompromised rock and roll which made the authorities tremble.
Part-inspired by the tougher sound of The Rolling Stones, The Who, The Yardbirds, and the Pretty Things, a feedback-drenched, and fuzz-box powered youth movement erupted throughout the nation. There was no careerist aspirations, government grants, or talk of export commodities – this scene was about the wild abandon of the music and liberation from the staid, dreary everyday life in a former colonial outpost. Some of this spirit was captured on singles and LPs – many now prized by collectors of original garage R&B fury worldwide – but the heart of it all was in live performance. The volume, the adrenaline rush, the no-holds-barred passion…
Time cannot tame wild music, and now, reconvening for one show only in Nov 2007, will be some of the finest acts of this explosive era, with 100 % original line ups in attendance!
THE PLEAZERS. CHANTS R&B. THE BREAKAWAYS. THE UNDERDOGS. PETER NELSON & THE CASTAWAYS. RAY COLUMBUS/DAVE RUSSELL/BILLY KRISTIAN. THE COMING GENERATION. GENE PIERSON.
Be warned -- this is no safe nostalgia show. These intense, groundbreaking bands will sonically recreate the heady, sweaty halcyon atmosphere of the kind of clubs found circa 1967 – places like the Galaxie (AK nitespot), The Stage Door (Christchurch), and The Thumpin Tum (Melbourne nitespot). No “new” songs, no concession to the passing of time, and no rose-tinted, misty eyed retro – just pure, unrestrained, maximum R&B, the way the establishment didn’t want it played.
WILD THINGS 07
MONTE
CRISTO ROOM, 51- 53 NELSON STREET, AUCKLAND CITY
DOORS
7-30pm
TICKETS LIMITED TO 300
AVAILABLE FROM TICKETEK
+ REAL GROOVY
One Night Only: One chance to catch all
these groups together!
WILD THINGS Roll Call:
CHANTS
R&B
The first ever Auckland appearance of the legendary
Chants R&B, the Christchurch group whose performances
rapidly became the talk of the town at the dimly-lit Stage
Door where they were resident for 18 months. Some of the
most authentic, powerfully LOUD, rhythm and blues on offer
anywhere in the mid 60s, the Chants R&B version of the John
Mayall-penned ‘I’m Your Witchdoctor’ is considered
perhaps the definitive cut of the song. Collected on Rhino
Records’ Nuggets II box set, it was pointed out that the
Chants “didn’t so much cover it, but inhabit
it…sending it into a dancing ecstasy of guttural shouts
and wild paroxysms”.
Chants R&B: Mike Rudd (guitar &
harp), Jim Tomlin (guitar), Matt Croke (lead guitar), Trevor
Courtney (drums), Martin Forrer (bass).
THE
UNDERDOGS
If the NZ establishment thought they had a
problem when the Pretty Things from England toured, an even
bigger one was homegrown, and ready to get up their noses.
With R+B as a framework, and Lou Rawnsley’s fuzzed out
guitar bringing an edgy blues, Aucklanders The Underdogs
are best remembered for the ‘Sitting In The Rain’ single
and their – ahem -- ‘erratic’ behaviour. Performing
will be the classic ‘67 line up, of Murray Grindlay
(vocals/harp) Neil Edwards (bass), Lou Rawnsley (guitar) and
Tony Walton (drums), who together recorded 5 singles, one EP
and an LP for Zodiac.
THE PLEAZERS
Relocating to NZ
from Australia in mid ‘65 to record for Zodiac records,
The Pleazers hit the AK scene with the force of a
thunderbolt, tearing things up with their performances at
places like the Galaxie and beyond.. The group’s wild
demeanour and perceived “immorality” was enough to earn
them an NZBC ban. The Pleazers are Shane Hales + Bill Bacon
(vocals), Bruce ‘Phantom’ Robinson (lead guitar), Denis
Gilmore (drums), Gus Fenwick (bass), Ron Peel (guitar),
Peter ‘Bunt’ Newing (guitar),
THE
BREAKAWAYS
Hailing from Taranaki but based in Wellington,
this hard-edged R&B act started life as Bari and the
Breakaways, with Bari leaving early in 1966. This was Midge
Marsden’s first group, and boasted lead guitarist Dave
Hurley playing the toughest guitar sound around. As HMV
recording artists, they issued two LPs of fuzz guitar garage
intensity, now highly sought after by collectors of
freakbeat esoterica.
Midge Marsden (guitar) Dave Hurley
(lead guitar) Bryan Beauchamp (drums), Dave Orams
(bass).
PETER NELSON + THE CASTAWAYS
Helmed by the
distinct and inimitable voice of Peter Nelson, this
Christchurch R+B group moved to Wellington in 1965 and
signed to HMV, recording 4 singles – notably, ‘Down In
The Mine’. This will be the band’s first ever Auckland
appearance!
Peter Nelson (vocals), Doug Petrie (drums),
Len Ormsby (guitar), Don Clarkson (bass), Doug Henderson
(guitar), Peter Gillette (keys).
THE COMING GENERATION
Featuring two former Gremlins,(Glyn Tucker, & Peter
Davies) and a Zark (Larry Killip)
The Gremlins recorded 9
delightful singles for Viscount / Zodiac between
1966-68
GENE PIERSON
Arriving in NZ in late 1967, Gene
recorded the psych-pop masterwork ‘Toyland’ for Zodiac,
and later, the Tucker Mantz composition ‘I Ain’t No
Miracle Worker’ (also recorded by Nuggets stars The
Brogues and The Chocolate Watch Band) for Festival. He has
not appeared on an Auckland stage since 1968!
RAY COLUMBUS
/ DAVE RUSSELL / BILLY KRISTIAN
The jokers in the pack:
three-fifths of Ray Columbus & the Invaders tackling Ray’s
post-Invaders material, and because no line-up existed in
NZ, Papakura’s finest The Situations will be backing them
for Ray’s most outta control material. Written after he
left NZ in 1966 to hook up with a Who-influenced quartet
called The Art Collection on America’s West Coast, tunes
like fuzz garage piece de resistance ‘Kick Me’, ‘We
Want A Beat’, and The Crunch’ showed Ray had no desire
to be “NZ’s premier pop star” if that meant slowing
down and easing up.
Ray Columbus (vocals/maracas), Billy
Kristian (bass), Dave Russell (lead guitar)
Backed by The
Situations (from Papakura)
ends