A night of colour and fantasy
Media Release
for immediate release
27 August 2006
A night of colour and fantasy
Australasian
premiere of View from Olympus with the Christchurch
Symphony, 2005:
“Leonard Sakofsky was simply
outstanding… and it was great to hear Michael Houstoun on
the piano as a pivotal element in the synthesis of sound.”
[Christchurch Star]
“The standing ovation was well
deserved.” [The Press]
A night of colour and fantasy
is promised for the 11th concert in the Auckland
Philharmonia Orchestra’s APN News & Media Premier Series
concert on Thursday 21 September.
Conductor Marc Taddei, whose interpretive flair always impresses, opens the concert with the APO displaying the exotic sounds of Stravinsky’s Song of the Nightingale, a piece drawn from a Chinese fable. Another thrilling colour is then introduced by the eagerly-awaited Auckland premiere of New Zealand composer John Psathas’ View from Olympus, fresh from successful performances in the United States and described in The Press in 2005 as “an exciting, momentous work”. This double concerto for percussion, piano and orchestra features the superb talents of Leonard Sakofsky, the Auckland Philharmonia Orchestra’s principal percussionist, and audience favourite, Michael Houstoun.
Very few fail to be seduced by the insistent rhythms of Ravel’s most famous showpiece Bolero, and it is preceded by De Falla’s delicate and fragrant Nights in the Gardens of Spain, once more featuring the skilful hands of Michael Houstoun.
Since his teens, Michael Houstoun has been a
household name in New Zealand. Throughout the last 30 years
he has performed regularly with orchestras, as a recitalist,
and as a chamber music partner. He draws from a large and
ever-expanding repertoire which includes the most recent
compositions by New Zealand composers alongside the complete
Beethoven piano sonatas. These 32 sonatas Michael Houstoun
played in a series of cycles in the 1990s, and the recording
of them led to the establishment of Trust Records in
1995.
Leonard Sakofsky has been Principal
Percussionist of the APO since 1997 and has already gained a
reputation as an outstanding player both as a soloist and in
ensembles. At only 17, he was a finalist in the New York
Philharmonic Concerto Competition for Young Artists, and
appeared with the Cleveland Orchestra in the Kraft Concerto
for Four Percussion and Orchestra aged 19. Since coming to
New Zealand, he has appeared as a soloist with major
orchestras and festivals and was a member of 175 East
Contemporary Ensemble for six years.
Auckland
Philharmonia Orchestra APN News & Media Premier
Series
Thursday 21 September – 8pm, Auckland Town Hall THE EDGE®
Bookings: phone Ticketek Orchestra Hotline on (09) 307 5139 or visit www.ticketek.co.nz
The Auckland
Philharmonia Orchestra receives major funding from Creative
New Zealand and major grants from Auckland City and the ASB
Community
Trust.
ENDS