DEGNZ Welcomes Opportunity to Collectively Bargain
The Directors & Editors Guild of NZ (DEGNZ) welcomes the opportunity to collectively bargain on behalf of its membership in the event
the new Government repeal the controversial ‘Hobbit Law’, an amendment rushed through Parliament that classified all
film workers as ‘independent contractors’, unable to bargain collectively and receive other benefits associated with
being an employee.
“In our recent Annual Survey of the membership conducted independently by Trace Research, an overwhelming 84 per cent of
directors and editors wanted the Guild to collectively bargain on their behalves,” said Executive Director of DEGNZ Tui
Ruwhiu.
“In the same survey, 32.5% of directors saw a decrease in their income in the last year compared to the year before, and
32.5% of directors earn less than $1,000 per week. This is obviously a concern for us.”
“It’s not unusual for directors to be one of the more poorly paid roles on set, particularly in feature and short film
and non-drama TV,” Ruwhiu added. “Unlike technicians, directors do not receive overtime payments, their pay rates can be
poor, and their hours generally longer that most others in the execution of their work.”
“Director rates have been trending downward in many sectors of the industry over the last 10 to 20 years and we need to
do something about it.”
New Zealand directors get very few opportunities to work on international productions coming to New Zealand, depending
almost exclusively on domestic New Zealand production to make a living.
With the number of local feature films produced each year in New Zealand numbering between five and fifteen, only five
to fifteen New Zealand directors get a job on those productions, and in many cases the director is required to reduce or
defer their fee to get the production made.
The majority of the Guild’s directors are contracted to productions for New Zealand television, documentary, advertising
and in the corporate arena where they make videos, promos and branded content.
“The status of directors within the industry and with the wider public is generally high. Unfortunately, the reality
when it comes to terms and conditions and particularly income for many of our director members is poor,” Ruwhiu
concluded.
“Collective bargaining would provide a positive means for the Guild to improve the lot of directors in New Zealand,
which is not possible under the current individual contracting regime.”
ENDS
The Directors & Editors Guild of NZ is a not-for-profit membership organisation that represents Directors and Editors in the New Zealand screen industry.
This includes Directors and Editors of feature drama and documentary; television drama, documentary and factual
programmes; short films; video art; animation; commercials and web content.
DEGNZ’s two primary roles are advocacy and professional development. We:
• are dedicated to promoting excellence in the arts of directing and editing.
• foster collegiality and unity within the screen industry.
• promote members’ creative and economic rights.
• work to improve industry working conditions and remuneration.
• offer professional advice and information on contracts and industry standards and practice.
• offer professional development events, networking opportunities, career advice, dispute resolution, mentoring,
workshops, training, discounts and regular news bulletins for members across all levels of expertise, from novices to
seasoned professionals.
DEGNZ is a voice for Directors and Editors in influencing policy in the interest of our members. We do this through our
membership of the pan-industry group SINZ (Screen Industry New Zealand), and by making submissions to government and
public officials.
Internationally, we work co-operatively with other guilds and we belong to the International Affiliation of
English-Speaking Directors’ Organisations (IEASDO).
DEGNZ is Auckland-based with an office in Grey Lynn.