The 2016 New Zealand Architecture Awards announced
Embargo in place until midnight, 11 November 2016
The 2016 New Zealand Architecture Awards announced
The 2016 New Zealand Architecture Awards were announced at an event in Wellington on Friday 11 November.
Twenty-eight buildings and structures have won honours in the leading architectural awards programme, which recognises the best work across all the types of projects designed by New Zealand’s architects.
The awards jury, led by Christchurch architect Jasper van der Lingen and comprising Auckland architects Megan Edwards and Michael O’Sullivan, and Melbourne-based architect Andrew Maynard, visited 50 shortlisted buildings from the Bay of Islands to Central Otago.
Four of the winning projects received special acknowledgement in the form of awards named for outstanding New Zealand architects.
The John Scott Award for Public Architecture has gone to Auckland’s neon-pink LightPath / Canada Street Bridge, designed by Monk MacKenzie together with GHD, Landlab and Novare Design.
“The
LightPath and Canada Street Bridge are fun as well as
functional,” the jury said. “It’s a surprising and
uplifting project that sends a message that Auckland is
becoming a people-centred city.”
The Ted McCoy Award
for Education was presented to Te Kura Kaupapa Māori o
Ngāti Kahungununu o Te Wairoa, a small Māori
school in Wairoa, northern Hawkes Bay, designed by
RTA Studio.
“This is an exemplary case of
architecture helping to make a difference,” the jury said.
“The school’s architecture sends a message to its
students that their community values them and has high
expectations of them.”
The Sir Ian Athfield Award for Housing went to Wellington multi-unit development Zavos Corner, designed by Parsonson Architects.
“Zavos Corner would be a great project at any time, but is especially welcome when the country is in such need of high quality, medium-density rental housing,” the jury said. “The architect and client should be congratulated for fighting so hard to realise this project.”
The Sir Miles Warren Award for Commercial Architecture went to Annandale Farm, a group of holiday houses designed by Patterson Associates for a coastal property on Banks Peninsula.
“A highly accomplished trio of buildings – Olive Grove, Scrubby Bay and Seascape – show how architecture can complement and enhance a setting of great natural beauty,” the jury said.
Jasper van der Lingen said
the Architecture Awards jury visited projects ranging from
house additions to churches, schools and office buildings.
Award-winning buildings included a new bus station, a
suburban library and a restored war memorial.
“All
of the award-winners are highly impressive projects,” van
der Lingen said. “They go above competence to reach
excellence. They set the benchmark for architectural
achievement in New Zealand.”
The LightPath / Canada
Street Bridge received its New Zealand Architecture Award in
the Planning and Urban Design category. In this project, the
jury said, “a redundant section of motorway has been
artfully combined with an elegant new bridge to produce an
inspiring piece of urban design with enormous public
appeal.” The jury said “the stretch of cycleway and
walkway signals, with its pink path and coloured lighting,
the profound changes that are beginning to occur in
Auckland’s transport planning.”
In the Awards
public architecture category two projects were recognised
– the Christchurch Bus Interchange–Whakawhitinga Pahi
and Te Pātaka Kōrero o Te Hau Kapua–Devonport Library.
The Bus Interchange, designed by Architectus, is the
first Christchurch anchor project to be completed and, the
jury said, “sets an excellent precedent in its provision
of a high quality public facility.”
In Auckland
Devonport Library, designed by Athfield Architects, has
quickly become a valued community asset. The jury said the
library’s “generous and engaging spaces, and its
combination of relaxed ambience and busy occupation, lend it
an admirable vitality.”
The Awards commercial
category features, besides Annandale Farm, a factory in the
Waikato and a ‘wellness’ retreat in Otago.
Jasmax’s APL Factory in Hamilton is a spacious,
light-filled working environment that is already an
architectural landmark. They jury said the factory’s
“long roadside elevation is a fine addition to the
streetscape and wider urban scene.”
Aro Hā
Wellness Retreat is a Glenorchy eco-resort designed by
Tennent Brown Architects to be as sustainable as possible in
terms of energy use and food production. The jury praised
the reference in the buildings’ sculpted forms to the
mountainous landscape around Lake Wakitipu.
Another
business-oriented project to win a New Zealand Architecture
Award, in the hospitality and retail category, was Fortieth
& Hurstmere, an arcade of cafés and restaurants in Takapuna
on Auckland’s north shore designed by McKinney + Windeatt
Architects.
“From nothing, the architect has
produced a result that’s quite something” the jury said
of a project “that saw an unprepossessing building
excavated to yield a lively internal laneway that brings
depth and diversity to a shopping centre surrounded by
carparking and traffic.”
Besides Te Kura Kaupapa
Māori o Ngāti Kahungununu o Te Wairoa there was one other
winner in the Awards’ education category – St
Cuthbert’s College Centennial Centre for Wellbeing, in
Epsom, Auckland, designed by Architectus.
“The
Centennial Centre provides St Cuthbert’s with one of the
country’s best swimming pools in a venue that encourages
both elite performance and enjoyable participation,” the
jury said.
The Architecture Awards housing categories
included nine winners. Zavos Corner won its New Zealand
Architecture Award in the Multi-unit category, as did the
Mary Potter Apartments in St Albans, Christchurch, designed
by Warren and Mahoney Architects.
“The 12 Mary
Potter market-rental units for elderly residents have been
integrated into an existing community housing project in a
manner, the jury said, “shows deep respect for the social
mission of the client and the needs of
residents.”
Six new standalone houses received New
Zealand Architecture Awards. The most northerly of these
houses is the Fold House at Waipiro Bay in the Bay of
Islands, designed by Bossley Architects. Nestled into its
beautiful maritime site the house is, the jury said,
“generous, calm, and superbly detailed, and offers a
lovely, relaxed progression of spaces.”
E-Type
House, in Grey Lynn, Auckland, was designed by Richard Naish
of RTA Studio for his own family. Interconnected communal
and private spaces are arranged around two north-facing
courtyards in a house that, the jury said, “tips its hat
to the neighbourhood’s prevailing villa typology, while
allowing for a relaxed progress through a long and narrow
site.”
Bramasole is a house on flat farmland at
Waimauku, west Auckland, designed by Herbst Architects.
“This is a graceful and elegant house,” the jury said.
“The detailing is excellent, the entry is intriguing and
the whole composition is beguiling. The architects have
demonstrated a very high level of proficiency.”
Herbst Architects also won a New Zealand Architecture
Award for the K Valley House, sited in countryside near
Thames. Recycled materials and fittings have been used
extensively in the building. “The commitment to a rural
idiom is clearly signalled by the rusted corrugated iron
sheets on the exterior,” the jury said. “Inside, it is clear that this is a sophisticated piece of work, as comfortable as a cosy retreat should be, and as confident as an inspiring site demands.
Tom’s House near
Queenstown, which was designed by Anna-Marie Chin Architects
is, the jury said, “a very clever piece of work that meets
the needs and relatively modest budget of the client while
challenging the design rules and constraints of an upmarket
residential estate.” The form of the house is inspired by
the traditional shed, but the jury noted that the architect
“has twisted the type with an asymmetrical gable that
creates dynamic elevations that relate to the local mountain
landscape.”
In the Wanaka House by Lovell and
O’Connell Architects “a strong, protective roof is
anchored to a wall in a manner reminiscent of the bivouac
shelters pitched by the region’s pioneering settlers.”
The jury said the house is inventive and contemporary,
“but its design and strong, simple material palette
acknowledges New Zealand’s 1970s architectural
tradition”.
The jury gave one award on the
Housing–additions category, to the Belmont Garden Room
designed by Mitchell & Stout Architects and Rachel Dodd.
This “clever, artful and frugal extension” to a small
state house on Auckland’s North Shore has “liberated the
house and, presumably, its youngest occupants,” the jury
said. “The influences are well-chosen: mid-century New
Zealand timber modernism and Japanese design.”
Two
projects, both designed by Jasmax, received awards in the
Interior category. New Zealand Post House in Wellington, is
a “concrete brute of a building that has been revitalised
with quirky pods and ‘village green’ kiosks, and an
internal street through the ground floor that is a welcome
alternative thoroughfare to windblown Waterloo
Quay.”
In Christchurch, Jasmax’s 141 Cambridge
Terrace–Lane Neave Building is a “light-filled,
naturally ventilated and highly legible building in which an
elegant material palette complements the building’s
exposed structure,” the jury said. “The intended effect,
which has been achieved admirably, is an energised,
purposeful and healthy workplace.”
Zavos Corner,
Parsonson Architects’ Wellington multi-unit development,
received an Interior award to go along with its Housing
award. “The tenanted apartments are a pleasure to
inhabit,” the jury said. “The planning is excellent,
modest materials and finishes are imaginatively deployed,
and each unit benefits from generous and well-framed views
out to the street and into an interior
courtyard.”
The restoration of two significant
historic sites received acknowledgement in the Heritage
category. In Wellington, Studio of Pacific Architecture
“showed a deep appreciation of Gummer and Ford’s
Carillon and Hall of Memories in the impressive remediation
and restoration of these national treasures,” the jury
said. “The Carillon has been future-proofed as one of New
Zealand’s finest musical instruments, and the Hall of
Memories respected as one of country’s most profound
contemplative spaces.”
At Manutuke, near Gisborne, “a decade and a half of thorough research, extensive consultation, determined fundraising and careful construction have resulted in the inspiring revitalisation by Architects 44 of one of New Zealand’s most important Māori churches – Toko Toru Tapu Church.” The jury noted the history of Toko Toru Tapu Church dates back to 1839, and the existing building is more than a hundred years old. “This history has been acknowledged and honoured in a restoration project which has rendered the church safe, secure and fit for purpose, while restoring original features and components.”
Three projects
received awards in the Small Project category. The jury said
Cardrona Hut, near Wanaka, designed by RTA Studio, is “a
delightful little building that is both an accomplished
exercise in sufficiency and an evocative and immediately
appealing piece of domestic architecture.” The jury said
the little building “suggests a back country tramping hut,
although its detailing and level of design deliver a rather
more bespoke architectural experience.”
On Waiheke
Island, Number 5, by Architectus, is “a well-considered
and sympathetic addition to a site with two existing
buildings that also gives definition to a sheltered
courtyard.” The jury said the “the language of the
addition is simple, the materials robust, and the planning
clear.”
The Studio and Garden Room–Peters House
in Pakuranga, designed by Lynda Simmons Architect reimagines
the traditionally sterile relationship in Auckland suburbia
of house, front yard and street. “The dominance of the car
and default resort to a banal patch of lawn have given way
to an engaging and sophisticated addition designed in
concert with a mounded garden,” the jury said.
Two
awards were made in the Enduring Architecture category,
which acknowledges buildings of at least 25 years of age
which continue to perform valuable service.
The late
Sir Ian Athfield began designing and building the New
Zealand Settlement Company – Awaroa House for his family
in 1972. The bach on Tasman Bay “is a place no visitor
wants to leave,” the awards jury said. “It is an
enchanting and relaxed holiday house, utterly without
pretension, and beautifully fit for its sociable purpose. It
is a magical place in a wonderful setting.”
St
Andrew’s Church (1960) at Le Bon’s Bay, Banks Peninsula,
designed by the practice of Hendry and Mitchener, is “a
beautiful little church striking in its sufficiency and the
rigour of its design.” The jury said the church “has a
sophisticated modesty, a quality which speaks not just of a
simpler and perhaps more architecturally coherent time, but
also of its architect’s principled renunciation of excess
and clear focus on design essentials.”
The New
Zealand Architecture Awards is a programme operated by the
New Zealand Institute of Architects with the support of
Resene, which has sponsored the Architecture Awards
programme for 25 years.
ENDS
2016 New
Zealand Architecture Awards: list of winners
Named Awards
John
Scott Award for Public Architecture
LightPath / Canada Street Bridge, Auckland, by Monk MacKenzie together with GHD, Landlab and Novare Design
Sir Miles Warren Award
for Commercial Architecture
Annandale Farm, Banks Peninsula, by Patterson Associates
Ted McCoy Award
for Education
Te Kura Kaupapa Māori o Ngāti Kahungununu o Te Wairoa, by RTA Studio
Sir Ian Athfield Award for
Housing
Zavos Corner, Wellington, by Parsonson Architects
New Zealand Architecture Awards by category
Commercial Architecture
Annandale Farm, Banks Peninsula by Patterson Associates
Aro Hā Retreat, Glenorchy, by Tennent Brown Architects
The APL Factory – “Lifting the Veil”, Te Rapa, Hamilton, by Jasmax
Education
St Cuthbert’s College Centennial Centre for Wellbeing, Epsom, Auckland, by Architectus and Architecture HDT in association
Te Kura Kaupapa Māori o Ngāti Kahungununu o Te Wairoa, Wairoa, by RTA Studio
Enduring Architecture
New Zealand Settlement Company – Awaroa House, Takaka, by Sir Ian Athfield
St Andrew’s Church (1960), Le Bons Bay, Banks Peninsula, by Hendry and Mitchener
Heritage
National War Memorial Projects [Carillon and Hall of Memories], Wellington, by Studio of Pacific Architecture
Toko Toru Tapu Church, Manutuke, Gisborne, by Architects 44
Hospitality &
Retail
Fortieth & Hurstmere, Takapuna, by McKinney + Windeatt Architects
Housing
Bramasole, Waimauku, by Herbst Architects
E-Type House, Grey Lynn, Auckland, by RTA Studio
Fold House, Waipiro Bay, Bay of Islands, by Bossley Architects
K Valley House, Thames, by Herbst Architects
Tom’s House, Queenstown, by Anna-Marie Chin Architects
The Wanaka House, by Lovell and O’Connell Architects
Housing – Alterations and Additions
Belmont Garden Room, by Mitchell & Stout Architects and Rachel Dodd in association
Housing –
Multi-unit
Mary Potter Apartments, St Albans, Christchurch by Warren and Mahoney Architects
Zavos Corner, Mt Victoria, Wellington, by Parsonson Architects
Interior
Architecture
New Zealand Post House, Waterloo Quay, Wellington, by Jasmax
141 Cambridge Terrace/Lane Neave, Christchurch, by Jasmax
Zavos Corner, Mt Victoria, Wellington, by Parsonson Architects
Planning and Urban
Design
LightPathAKL/Canada Street Bridge, Auckland, by Monk Mackenzie with GHD, Novare and LandLAB in association
Public Architecture
Christchurch Bus Interchange/Whakawhitinga Pahi, by Architectus
Te Pātaka Kōrero o Te Hau Kapua – Devonport Library, by Athfield Architects
Small Project Architecture
Cardrona Hut, Wanaka, by RTA Studio
Number 5, Onetangi, Waiheke Island, by Architectus
Studio and Garden Room – Peters House, Pakuranga, Auckland, by Lynda Simmons – Architect