The exhibition, made by the Australian Centre for the Moving Image (ACMI), premiered in Melbourne in 2018 and attracted
179,000 visitors. Singapore’s ArtScience Museum hosted Wonderland this year, with 138,000 visitors.
The exhibition celebrates the screen history of English author Lewis Carroll’s timeless stories —Alice’s Adventures in Wonderland (1865), Through the Looking Glass, and What Alice Found There (1871) — in an experiential exhibition.
Visitors to Wonderland can lose themselves in the Hallway of Doors, play at the Queen’s Croquet Ground and take part in a magical Mad Hatter’s
“Wonderland is a spectacular immersive experience. The exhibition will delight and surprise adults and children alike,”
Curator NZ Histories & Cultures Stephanie Gibson says.
Former Aucklander Malia Reinders' and her Mother Sieva Jackson visited the exhibition in Singapore where they have been
living for three years. Wonderland had such an impact on Malia, aged 7, that she immediately wanted to do it again once she came out, ranking it "100,000"
out of five.
The Guardian wrote that Wonderland “intends to be as fantastical as the original text, with creative and immersive rooms that house more than 300 objects
from collections and studios around the world. There are drawers to open, things to touch, props to put your head inside
and the Queen’s Croquet Ground melds technology with craft, letting visitors (and their children) insert themselves into
New Zealand Herald writer Melissa Nightingale travelled to Singapore to experience Wonderland. “The exhibition is magic from the beginning. Even for children that haven't grown up with the movies and books, Wonderland has something for all ages,” she wrote.
Trip Adviser reviews:
• “An amazing exhibition. Very interactive and great displays. Lots to see and an amazing insight to how they went about
making the films.”
• “A special feature was The Mad Hatter's Tea Party - imaginatively staged and totally quirky. This was an unusual
exhibition that brought to life Lewis Carroll's Alice.”
• “Went to see the Alice in Wonderland exhibition. It was super cool, the AI and AV stuff is really clever. Brilliant.”
• “This exhibition was amazing. I was in my element being a HUGE Alice in Wonderland fan I couldn’t have been happier.”
Exhibition experiences include Down the Rabbit Hole which transports visitors from the real world, into Wonderland. The
Hallway of Doors introduces Lewis Carroll, Alice Liddell and the key Wonderland characters, objects and places. Visitors
are invited to take a seat at the digital and interactive experience Mad Hatter’s Tea Party. A multiple screen audio
visual room showcases Alice from different times, cultures and media.
Ms Gibson says Carroll’s tales have been the subject of more than 40 films and over 30 television programs.
“The exhibition will take visitors on Alice’s journey through popular culture, demonstrating how artists, filmmakers,
and fans have returned to her story with the help of screen technologies for more than a century,” says Ms Gibson.
Wonderland features more than 300 unique objects including spectacular costumes, puppets, props and first edition publications and
Wonderland was conceived and created by curators Jessica Bram and Sarah Tutton at the Australian Centre for the Moving Image
(ACMI) in Melbourne, and was designed by exhibition and theatrical designer Anna Tregloan.
From the first screen adaptation by Cecil M Hepworth in 1903 to Disney’s Alice Through the Looking Glass (2016), Wonderland reveals the development of special effects from pre-cinematic entertainment to silent film,
animation to puppetry, live-action cinema, videogames, CGI, 3D and beyond. Among the films featured; Norman Z McLeod’s
1933 version featuring a young Cary Grant; Lou Bunin’s Alice Au Pays des Merveilles (1949) which almost did not make it to the screen; Jan Svankmajer’s acclaimed Alice (1988); the Quay Brothers’ experimental Alice in Not So Wonderland (2007); and television versions by the BBC and NBC, and much more.
Made in Melbourne by ACMI, this exhibition offers a theatrical experience complete with playful environments and bespoke
digital activities that draw upon the wonder and curiosity of Carroll’s stories.
Together with ACMI curators Jessica Bram and Sarah Tutton, exhibition and theatrical designer Anna Tregloan, digital
creative studios Sandpit, Grumpy Sailor and Mosster Studio, sound designer Byron Scullin and composer Cornel Wilczek, as
well as lighting designer Niklas Pajanti, have designed this interactive world.
The exhibition at Te Papa illustrates an ongoing fascination with new visual technologies over more than a century. From
the earliest optical toys to silent film, animation, puppetry, live-action cinema, videogames, CGI, 3D and beyond, Wonderland explores how the moving image has kept Alice and her stories in the public consciousness, reinvented in contemporary
contexts and mediums.
Wonderland premiered in Melbourne in 2018 and attracted 179,000 visitors in 6 months. The exhibition has recently exhibited at the
ArtScience Museum in Singapore.
For more information about Wonderland at Te Papa, visit tepapa.nz/wonderland
Tickets are on sale at TePapa.nz/wonderland
Adults: $22.95 Children 3 – 15 years: $11.95
Children under 3: free Family (2 adults, 2 children): $59.95
Student and concession tickets also available
Christmas Wonderland Elves Workshop
Sat 30 Nov – Sat 28 Dec 2019, 10.00am–6.00pm
Explore the Elves workshop, colour in pictures, and test your origami skills by creating a box for all your Christmas
Wonderland High Tea
Before you descend into the rabbit hole, enjoy a Wonderland High Tea at Te Papa’s Espresso Café. Price includes entry to the Wonderland exhibition, one hour after your high tea experience.
Children 3–15 years: $21
Friends of Te Papa: $41
Wonderland Late Night – Adults Only
Thu 23 Jan 2020, 7.00pm–10.00pm
Thu 20 Feb 2020, 7.00pm–10.00pm
Live music, exhibition entry, themed canapes, and a cocktail with each ticket. Cash bar available. These sessions are for those over 18.
$39 (Friends of Te Papa: $35)
Sat 1 Feb
5, 12, 19, 26 Feb
Talks on animation, feminism, language and mental health through the lens of Alice in Wonderland
Dropbox images available here