We are thrilled to announce two New Zealand shows by Snarky Puppy next year.
The Grammy-winning group return in April to venues they sold out on previous visits, hitting Auckland’s Powerstation on
April 15 and the Wellington Opera House on April 16.
Tickets for both shows go on sale this Friday at 1pm. MyTicketmaster customers can access a presale from 12pm on
Snarky Puppy isn’t exactly a jazz band. It’s not a fusion band, and it’s definitely not a jam band. It’s probably best
to take Nate Chinen of the New York Times’ advice, to “take them for what they are, rather than judge them for what
What’s undeniable is that they are a brilliant live act who have merged in recent years to sit at the forefront of
contemporary musical fusion and rate as a must-see for fans of genres from jazz to r’n’b and hot funk.
The last four years have brought dramatic changes for Snarky Puppy. After a decade of relentless touring and recording
in all but complete obscurity, the Texas-bred/New York-based quasi-collective suddenly found itself held up by the press
and public as one of the major figures in the jazz world. But as the category names for all three of the band’s Grammy®
awards would indicate (Best R Performance in 2014, Best Contemporary Instrumental Album in 2016 and 2017, they are much, much more than that.
Snarky Puppy is a collective of sorts with as many as 25 members in regular rotation. They each maintain busy schedules
as sidemen (with such artists as Erykah Badu, Snoop Dogg, Kendrick Lamar, and D’Angelo), producers (for Kirk Franklin,
David Crosby, and Salif Keïta), and solo artists (many of whom are on the band’s indy label, GroundUP Music). At its
core, the band represents the convergence of both black and white American music culture with various accents from
around the world. Japan, Argentina, Canada, the United Kingdom, and Puerto Rico all have representation in the group’s
membership. But more than the cultural diversity of the individual players, the defining characteristic of Snarky
Puppy’s music is the joy of performing together in the perpetual push to grow creatively.
The band was formed by bassist and primary composer Michael League in 2003, starting inconspicuously enough as a group
of college friends at the University of North Texas’ Jazz Studies program. Three years later, a serendipitous
intersection with the Dallas gospel and R community in Dallas transformed the music into something funkier, more direct, and more visceral. It was at this time
that the group absorbed musicians like Robert “Sput” Searight (drums), Shaun Martin (keyboards), and Bobby Sparks
(keyboards), and were heavily influenced by legendary keyboardist Bernard Wright (Miles Davis, Chaka Khan, Marcus
April 15, Powerstation, Auckland
April 16, Opera House, Wellington
Tickets on sale at 1pm, Friday September 14 at Ticketmaster
My Ticketmaster presale begins Midday Thursday September 13