All in the aiga: Art and the Urban Pacific
City Gallery Wellington announces Urban Kainga in the Deane Gallery How do we define an urban community? How do people
form and retain their cultural identity in a city environment where people from many places and cultural backgrounds
have gathered? The exhibition Urban Kainga in the Deane Gallery at City GalleryWellington, running 16 January to 28
March 2010, raises these questions.
For Māori the word kāingameans dwelling or village. In the Kingdom of Tonga kainga relates to extended family, and in
Samoan the word is aiga. In Pacific communities the concept of kāingaextends beyond the idea of ‘neighbourhood’ or
place, to include blood ties, sharing traditional customs, and cultural inheritance and legacy.
Urban Kainga features the art of four male artists who explore some of the challenges faced by Māori and Pacific
communities trying to retain traditional cultural customs, on top of the realities of suburban life.
Curator Reuben Friend says, “This is an exhibition with an unashamedly male viewpoint. In a time when Māori and Pacific
Island men are over represented in reports relating to ill health and social strife, these four artists share their
experiences of growing up in culturally rich but economically underprivileged communities. These artists were amongst
the first generation to be raised within New Zealand’s post-war working class suburbs. Their art echoes the social
conditions and cultural surroundings of this urban environment.” Terry Koloamatangi Klavenes’ photography documents his
kainga, his family and community. While his family migrated to New Zealand in search of the ‘Pacific Island dream’,
Klavenes found that his sense of self and community were shaped by the uncertainties of relocation, and the ongoing
anxieties of an identity formed in a low socio-economic urban area.
Artist Nick McFarlane grew up near Porirua in Wellington, a community where gang members had a strong presence during
the 1980's. As a child of Pakeha descent growing up around these kinds of urban tribes, McFarlane observed that the
gangs were a side-effect of greater social problems. His reworked gang patches describe some of the conditions in which
The core motivation behind the art of Reweti Arapere (Ngāti Raukawa, Tuwharetoa) is the desire to inspire other
rangatahi (youth) to pursue the teachings of their ancestors in a way which will empower them to become the rangatira
(leaders) of tomorrow. He uses a combination of graffiti style stencils and customary Māori art forms to tell the tale
ofyoung urban Māori men who identify with both Māori and metropolitan culture.
Siliga David Setoga’s art looks at the impact of mass marketing and the media on his community and identity. His art
reworks globally recognised brands, often revealing insidious messages concealed beneath the attractive packaging.
The Deane Gallery is one of City Gallery Wellington’s new exhibition spaceswhich is dedicated to exhibiting art which is
focussed on issues of particular interest to Māori and Pacific audiences.
Urban Kainga Reweti Arapere Terry Koloamatangi Klavenes Nick McFarlane Siliga David Setoga 16 January –28 March 2010
Deane Gallery, City Gallery Wellington Civic Square, Wellington Ph: 04 801 3021, email@example.com
www.citygallery.org.nz Entry charges apply until February 7.
Free entry after February 7.
Terry Koloamatangi Klavenes
Siliga David Setoga
16 January –28 March 2010
Deane Gallery, City Gallery Wellington
Civic Square, Wellington
Ph: 04 801 3021, firstname.lastname@example.org www.citygallery.org.nz
Entry charges apply until February 7.
Free entry after February 7.