Fiona Hall: Record-breaking exhibition opens in Wellington this Saturday
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Mourning Chorus
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Skull
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Understory
Press Release: For immediate release, 7 July 2008
Australian artist mourns our flora and fauna…
Record-breaking exhibition features new New Zealand work inspired by Auckland visit
A lament to New Zealand’s extinct birds features in an art exhibition that has just broken attendance records at the
Museum of Contemporary Art, Sydney. Fiona Hall: Force Field, opening July 12 at City Gallery Wellington, is an in-depth
survey of work by one of Australia’s leading and most innovative artists.
Mourning Chorus (2007-08) is a new work created especially for the show that was inspired by Hall’s Residency at
Auckland’s Elam School of Fine Arts last year when she spent hours researching native flora and fauna at the Natural
History Unit of the Auckland Museum. Plastic containers with replica bird beaks are displayed in a startling
coffin-shaped case in a work that comments on the vulnerabilities of our environment while playfully mocking the
plastics that clog our landfills.
Curated by City Gallery’s Paula Savage and Gregory O’Brien, with Vivienne Webb (Museum of Contemporary Art, Sydney), the
exhibition also features sculpture, installation, photography and video works from the 1970s to the present. Australian
arts commentator John McDonald believes Hall’s imagination to be “so fertile that an artist could base an entire career
on any of the phases she has explored and discarded”. Hall possesses “an offbeat sense of humour and a work ethic that
would put the pyramid builders to shame”. Sydney Morning Herald, 19 April 2008
Hall transforms everyday materials and objects, incorporating a diverse array of techniques, that are often domestic in
their origins: Coca-Cola cans are shredded and knitted into a cloak (The Social Fabric, 1996); US dollar bills are woven
to create exquisite birds’ nests (Tender, 2003-05); Tupperware containers are transformed into a stunning backlit
installation (The Price is Right, 1994); glass beads are threaded and knitted into an intricate flower or a skull
(Understory, 1999-2004); and in her most well known series of works (Paradisus terrestris, 1998-99), sardine tins are
reconfigured into miraculous sculptures.
Born in Sydney in 1953, Fiona Hall established herself as an important Australian photographer in the 1970s and then
widened her practice to include sculpture and installation. In 1997 she received the Contempora 5 Art Award and in 1999
the prestigious Clemenger Art Award. She was appointed to the Advisory Council of the Australian National University’s
Centre for the Mind in 1998. Hall has exhibited widely in Australia and internationally, and is represented in every
major public collection in Australia.
Fiona Hall: Force Field
12 July (from noon) until 19 October
City Gallery Wellington
citygallery@wmt.org.nz, www.citygallery.org.nz
Admission: FREE
For further information or images, please contact:
Rachel Healy, Publicist T: 04 801 3959, 027 687 4226, E: rachel.healy@wmt.org.nz Principal Sponsor:
ANZ
Fiona Hall: Force Field was developed in partnership with Museum of Contemporary Art, Sydney, where it opened March
2008. It will travel to Christchurch Art Gallery Te Puna O Wai Whetu, 4 December 2008 to 1 March 2009. Supported by the
Australian High Commission. The exhibition is accompanied by a fully-illustrated catalogue, generously supported by Dr
Roderick and Gillian Deane. Fiona Hall undertook a residency at Elam School of Fine Arts, University of Auckland,
enabling the development of New Zealand-based works. City Gallery Wellington is managed by the Wellington Museums Trust
with major funding support from Wellington City Council.
ENDS