FOR IMMEDIATE RELEASE
The River new paintings by Bob Kerr 22 October 19 November 2005, Idiom Studio, Wellington
Wellington artist Bob Kerr is known for unsettling landscapes in which the past is felt as strongly as the present. One
of these appears on the cover of Michael King's Penguin History of New Zealand, and is possibly this country's most
widely reproduced artwork.
His latest exhibition, which opens at Wellington's Idiom Studio on 22 October, takes the viewer on a journey up a dark
and winding river, deep into the 19th century. "They started out as a series of paintings about the Whanganui River,"
says Bob, "which turned into everybody's river."
The steep gorges and endless twistings of the Whanganui's middle reaches have been explored by Bob since the age of 16,
when he ran his home-made wood and canvas canoe onto a rock just downstream from Taumarunui. Since then he's been down
the storied river several times, often with informed companions who could evoke the glory days when the steamer from
Whanganui town made a vital link in the Wellington-Auckland transport route.
"I love looking at old photos from those days of river travel," he says, "and also sketching on the river. Making
sketches while going down a rapid backwards gives them a lively, abstract quality."
The results are a strong series of deeply shadowed riverscapes, sometimes showing lonely Pakeha figures poling or
paddling their way into unknown waters. They seem out of place but determined, as ill-equipped for the conditions as the
16-year-old Bob on his first river expedition.
For Bob Kerr, the dark chasm of the Whanganui and our other arterial rivers are places where the Maori and Pakeha worlds
are forced to meet. His scenes of this visually rich yet constricted setting are like postcards from a journey to our